The Peter Mayer Group embarks on a 2026 tour to promote Peter’s newest album, “Songs &amp; Stories from the 12 Volt Man.” Joining Peter on stage will be his son Brendan Mayer, bassist Zeb Briskovich and drummer Miles Vandiver. All three who also played on the album. Also on the record, many Coral Reefers added to the Buffett vibe and made these tunes so special, together honoring Jimmy’s wishes to “keep the party going!” The band may be joined by special guests at various stops along the tour. Peter Mayer’s relationship with Buffett began in 1989 and lasted until the end of Jimmy Buffett’s life. He became one of Buffett’s main songwriting partners for more than 30 years. Peter Mayer offers more than a tribute to his late friend. He delivers a masterful reimagining of the Jimmy Buffett Songbook. Peter Mayer is a guitarist, vocalist, songwriter, touring musician and recording artist in Nashville, Tennessee. With his unique writing style, distinctive voice and virtuoso musicianship,Mayer creates compelling and soulful music for an electrifying live performance. Mayer has released 25 albums to date and tours year round with the Peter Mayer Group. He is the lead guitarist in Jimmy Buffett’s Coral Reefer Band and has shared the stage with a regalia of bright lights in the music industry including: James Taylor, Paul McCartney, Ringo Starr, Don Henley,Dave Matthews, Joe Walsh, and many others.Jeremy Elliot:A vision to heal the world, one song at a time. Since busking on the streets of New York City at the age of 13, that’s all Jeremy Elliot ever had. Years of cultivating his songwriting while playing around New York’s rock club scene would lead him to Los Angeles in his early twenties. Soon after his arrival a chance encounter with one of the world’s biggest producers and songwriters, Jason “Poo Bear” Boyd, would help begin writing his next chapter. Over the following few years, Elliot would write songs for the likes of Trey Songz, Matt Nathanson, and Justin Bieber - the latter of whom’s multi-platinum album, Purpose, earned Elliot a GRAMMY nomination. All the while Elliot would continue to develop a one of a kind sound as a solo artist with support from Poo Bear, eventually adding producer Danny Boy Styles (The Weeknd, Beyonce) among others to guide him as he crafted his debut project.

Talkhouse

Peter Mayer Group- 12 Volt Man Tour w/ Jeremy Elliot opening

The Stephen Talkhouse

We are IRIEspect, a 6 piece reggae/dub/jam/hip hop/Latin outfit from LI NY. With a very infectious &amp; energetic live show, they showcase a versatile, dynamic, innovative &amp; genre-bending sound fusing elements of roots/rock/reggae with live dub, Latin, hip hop, dancehall &amp; more. Whether chilling on a beach, cruising on the open road, or partying &#39;til the sun comes up, their music will hit all corners of your tastebuds! Playing over 200&#43; shows in their home LI-NYC &amp; surrounding markets up &amp; down the East Coast, they&#39;ve created big waves of buzz over the last few years, leaving their rabid live fans chomping for more. In 2024 they dropped their first full length LP on Dubshot Records, featuring hit single Strong Island. The band generated a lot of buzz going into 2025, closing 24 with highlight shows w/ Collie Buddz at Brooklyn Bowl NY, Original Wailers at Paramount NY, &amp; a sold out show w/ Steel Pulse at Brklyn Bowl. Other recent staple shows include w/ Barrington Levy, Inner Circle, Fortunate Youth, Mihali, Jesse Royal, Bumpin Uglies, Long Beach Dub Allstars, Pepper &amp; many more. Their momentum continued thru 2025, closing with a new album release &#34;Lost In Time EP&#34; w/ special guest artists, available on all platforms. Keep a look out for a follow up release in 2026!

Reggae Night w/ IRIEspect

Silas Jones is an acoustic singer/songwriter born and raised in East Hampton, NY. Growing up with music teachers as parents, Silas was surrounded by music throughout his whole childhood as well as his adult life. During COVID, Silas fell in love with the Grateful Dead and the guitar at the same time and discovered a love for music like never before. During the end of his high school years and throughout his college education he started to write songs that identified with the many aspects of emotion that love can bring. After recording and self-producing his own album and gigging in the Hamptons for 2 years now, he’s excited to bring to you a night of acoustic music filled with originals, older favorites and some songs rarely played on acoustic guitars.

Silas Jones

The Dog Watchers formed in 2015 from the remnants of various east end musical projects. The band consists entirely of local musicians from around East Hampton and Sag Harbor. Focusing on a broad range of covers from the golden age of the 60&#39;s &amp; 70&#39;s, as well newer material. The goal is to surprise and entertain with songs you know &amp; love, ones you may have not heard in a while along with ones that may be new to you. The band members are Michael Rusinsky on Lead Vocals and Guitar, Anthony Liberatore on Vocals and Guitar, Toby VanKeuren on Drums and Bob Charney on Bass. There were frequently dogs present in the studio during rehearsals and that&#39;s how the band got it&#39;s name. Repertoire includes songs from The Beatles, Rolling Stones, Tom Petty, The Grateful Dead, Van Morrison, Springsteen, The Decemberists, Steve Earle, The Band and many more. The band has played various venues all over the east end including The Stephen Talkhouse, Guild Hall as well as numerous private parties and benefits.

The Dog Watchers

An intoxicating gumbo of global soul, surf noir, and psychedelic funk, all filtered through a vintage, analog haze. Listening to Gitkin feels like stumbling across a forgotten reel-to-reel in a dusty Havana pawn shop or a smoky Marseilles speakeasy. There’s a deep sense of wanderlust baked into every groove — part spaghetti western, part funk exotica, with twangy guitars that slither like snakes through a desert bazaar.New Orleans-based Gitkin, also known as Brian J, a Grammy-nominated artist and producer renowned for his production skills (working with Cedric Burnside, Bab L’ Bluz, Bernard Purdie, Cyril Neville) and as the mastermind behind the funk ensemble Pimps Of Joytime, is experiencing surprising success with this passion project.With monthly streams surpassing 300,000, Gitkin’s three self-produced studio albums have struck a global chord. In 2022, fueled by his growing streaming and social media momentum, he assembled a live trio featuring Palestinian multi-instrumentalist Simon Moushabeck (keys, accordion, percussion) and Cuban-American drummer Washington Duke. Together, they breathe new life and dimension into Gitkin’s recorded material. Since then, the group has toured across the U.S., Germany, the U.K., the Netherlands, France, and Austria—selling out multiple shows along the way. They’ve also supported acts like Steel Pulse, Say She She, The Altons, and Thee Sinseers.After years of making songs where the vocals and lyrics take the spotlight, it&#39;s been liberating to let my guitar do the talking. With Gitkin, I get to bring in my love for African, Middle Eastern, and South American music and mix it with my native musicality that sits in American blues and funk. Performing as a trio with my two talented compadres provides a lot of space in the music that opens the door for what I like to call &#34;expensive moments.&#34; My favorite moments of a show don&#39;t usually happen by somebody playing something fast and impressive. More often it’s when a palpable essence takes over the room — you feel it, and you know everyone in the spot feels it. That&#39;s what keeps me getting in vans and planes and putting in endless hours in the studio.In 2025, Gitkin released a run of singles—including the standouts “Paterson Switchback,” the cinematic “Motel Moon,” and the hypnotic “El Chambre”—each one expanding his audience and deepening his signature sound. Now, in collaboration with the Brooklyn-based label Wonderwheel Recordings, Gitkin is preparing the release of a new full-length album, with the first single rolling out in January 2026. The year will also bring a slate of U.S. shows and a European festival tour in July, marking a new chapter in Gitkin’s evolving sonic journey.

GITKIN

Karaoke!! w/ JBM

The Brit Pack brings the best of classic British rock music to stagesacross the USA! Performing music by Led Zeppelin, Queen, and The Rolling Stones, to David Bowie, Oasis, Tears for Fears and more, TheBrit Pack cover everything from the most iconic anthems of the sixties,to the modern classics of today!British born but American made, The Brit Pack was formed by twoBritish session musicians living in the US. Their energetic performancesare a magnificent and heartfelt tribute to the UK&#39;s deep musicallegacy, and a testament to the fact that great music never gets old!

The Brit Pack

New York&#39;s newest Tribute to the 90&#39;s. Playing all your favorite songs spanning multiple genres.<div><div>The Max- Ultimate 90&#39;s Party is here! We&#39;re playing all your favorite Rock, Pop, Hip Hop and Dance Hits from the decade.</div></div><div><div>So give us a follow, tell your friends and come to a show, because ain’t NO PARTY like a 90’s PARTY with THE MAX!</div></div>

The Max - Ultimate 90's Party!

Celebrating 49 years, ‘Reggae Ambassadors’, THIRD WORLD is one of the longest-lived Reggae bands of all time, and one of Jamaica&#39;s most consistently popular crossover acts among international audiences.  Mixing in elements of R&amp;B, funk, pop, and rock and, later on, dancehall and rap, Third World’s style has been described as &#34;reggae-fusion&#34;.With 9 Grammy nominations and catalogue of charted smash hits (including “Now That We Found Love”, ”96 Degrees in the Shade” and “Try Jah Love”) spanning over four decades, sold-out tours, a vibrant and loyal fan base and inspirational messages, one may wonder, &#34;Where did it all begin? What gives Third World the staying power so rare in the music industry?&#34; Third World is more than just one of the top Reggae bands of all time, it is an institution that stands for producing and performing music that, while holding firm to the cultural and ancestral roots of its members, still pushes forward the cutting edge of music worldwide. It is an institution whose themes are positive, progressive and internationally relevant: an asset to any size festival / event.Third World has performed to thousands of music fans on 6 of the 7 continents:  TW toured &amp; recorded with late great Bob Marley, including opening for Marley’s first world tour in 1978, TW recorded and toured with master blaster Stevie Wonder, who produced 2 of their albums in the 80’s released with CBS, they toured America with legendary guitarist Santana, opened for the Jackson 5’s first concert in Jamaica, shared stages throughout the world with the U2, Sting, The Police, Whitney Houston, Wyclef Jean, Lauryn Hill, Jimmy Buffet, Eric Clapton, Marc Anthony, Gladys Knight, the Marley Brothers  and more.  Third World’s hit songs have reached top 40 on the Billboard charts in the US, UK, Europe and Japan and received a platinum award in Japan.  In 1986, Third World received the United Nations Peace Medal for their contribution of music and their lyrical prose.   They performed on the MTV Amnesty International Concert at a sold out Giant Stadium in 1986 , performed at the Rose Bowl with Quincy Jones, Stevie Wonder &amp; Michael Jackson, Carnegie Hall, Madison Square Garden, the Welcome Home Nelson Mandala concert in 1990, and have been featured at major sporting events including the Lord’s Cricket Grounds in the UK in 2000, and Opening Ceremony for Cricket World Cup in 2007, America’s Cup Bermuda 2017. TW has entertained millions over the television with performances on the Tonight Show with Jay Leno, Late Night with David Letterman, Arsenio Hall Show, Soul Train, Top of the Pops, Shirley Bassie show and more!  Third World has received the keys to the cities of Atlanta, Brooklyn, Atlantic City, Hartford and Key West.  Additionally, the band has received accolades including multiple IRAWMA Awards, National Black Arts Excellence, Lifetime Achievement Awards from Reggae Sumfest, Jamaica Jazz &amp; Blues, City of Miramar, Fl Icons and more.

Third World: A Tribute to Stephen Cat Coore with Special Guest Kumar Fyah

Hello Brooklyn is an NYC-based cover band servicing the tri-state area. Throwing parties since 2011, we aim to provide you with an unforgettable live music experience. Whether you’re having a wedding, birthday bash, or a party for no reason, you can count on us to get everyone on the dance floor.<div> </div><div> </div>

Hello Brooklyn

<div>“Dallas Wax is a five-piece band based in New York City. The band borrows from the spaces of</div><div>punk rock, psychedelia, and the blues while maintaining a unique delivery and raucous live</div><div>performance. Dipped in acid and powered by driven guitar riffs and soulful vocals, Dallas Wax</div><div>never fails to conjure an unforgettable experience for their audience.”</div>

Dallas Wax w/ The Relics as support

LHT Little Head Thinks--cool and down to Earth. the group is located in a perfect place--the Hamptons--for their laid back rap/rock party that they throw while on stage. Putting their fingerprints all over an eclectic mix of covers from the 70&#39;s, 80&#39;s and 90&#39;s while intertwining some of their own catchy originals, LHT keeps the party moving, the drinks flowing and the dance floor packed. LHT has plays regularly at the legendary Stephen Talkhouse as well as other venues in the Hamptons. LHT has lended their talents to benefit Wounded Warriors, The Blue Point Fired Department, as well as local individuals in the community in need of help for medical issues. LHT regularly plays private parties including weddings, providing the perfect atmosphere for any fun party. LHT has shared the stage with Chad Smith, G.E. Smith, and Jimmy Buffet, as well has played shows with Susan Vega, Tribe Called Quest, Paul Simon, and many more.

For over 50 years Black Uhuru has remained one of the most popular recognized prolific reggae band from Jamaica. The living legends have earned several achievements in the music industry including winning the first ever Grammy Award for reggae music. They’re long success along with having the highest reggae record sales after Bob Marley &amp; the most songs sampled by other artist over the years has allowed them to become Ambassadors of reggae. The roots of Black Uhuru formed in Kingston’s “Waterhouse” District in the late 60’s. It is the home of founder &amp; leader Derrick “Duckie” Simpson along with all the rest of the singers from the group. The original Uhuru’s Swahili for “freedom” were Duckie, Don Carlos &amp; Garth Dennis. The first song was a Curtis Mayfield cover of “Folk Song”. They made only a couple more songs before Don left to pursue a solo career &amp; Garth joined Wailing Souls. The two were replaced by Michael Rose &amp; Errol Nelson both from Waterhouse. They recorded the debut album “Love Crises” in 1977 for Prince Jammy later re-released as “Black Sounds of Freedom”. Errol later left the group to join the Jays &amp; was replaced by female singer Puma Jones. This new line-up is when the band began to collaborate with Sly &amp; Robbie &amp; developed the “classic Uhuru” sound of the 80’s. A unique style full of heavy drum &amp; bass, sharp keys, loud guitar riffs &amp; long instrumentals filled with whirly background effects &amp; the signature “wow oh-oh oh’s” echo. It was during this period they signed with Island Records. They began touring internationally &amp; started receiving worldwide attention. They recorded some of their most popular albums like “Guess Who’s Coming To Dinner” “Sensimelia” &amp; “Chill Out”. The album “Red” was voted #23 for Rolling Stone Magazine list of 100 greatest albums of the 80’s. And history was made when they won reggae’s first grammy award in 1984 for the album “Anthem”. Shortly after the grammy Michael left the group to go solo. Another Waterhouse resident named Junior Reid became the new lead singer. Two albums were released “Brutal” nominated for grammy &amp; “Positive” with Ras Records. These albums included popular hits like “Dreadlocks on the Mountain” “Fit You Haffi Fit” &amp; one of the groups first music videos “Great Train Robbery”. Sadly due to ill health Puma passed away in 1990. Around this time Jr. Reid was having visa issues unable to tour. During the mid 90’s the original members reunited. Four albums were released “Now”, “Iron”, Storm”, “Mystical Truth” &amp; “Strongg” all nominated for grammy. They made an award-winning music video for “Tip of the Iceberg” that featured rap star Ice-T &amp; another video for “One Love” featuring Louie Rankin. They performed live on television for VH1 a cover version of Jimmy Hendrix “Hey Joe”. In 1994 they won the Diamonds Awards for Excellence. Unfortunately, the group began to dispute over band legal rights &amp; went to court in the late 90’s. Duckie won the rights to the name. As the new millennium approached Duckie found Andrew Bee’s once again from Waterhouse. Bee’s first tour with the band was in 1996 in Brazil. They released two albums “Unification” in 1998 &amp; “Dynasty” in 2001. In 2002 they reunited with Sly &amp; Robbie for an international world tour &amp; released a live album/dvd “Dubbin it Live”. The group resurfaced in 2010 &amp; has been touring extensively throughout Europe, South America &amp; the United States. In 2012 they performed in a Broadway musical in Los Angeles called “Loving the Silent Tears”. In 2013 Duckie was awarded a lifetime achievement award from the IRWMA. In 2017 they released a new single &amp; music video “Jah Guide” a Peter Tosh tribute that featured Bugle.In 2018 Black Uhuru released “As The World Turns” the newest album after 15 years. It was nominated for “Best Reggae Album” at the 61st Grammy Awards. For the first time it featured Duckie on lead for the entire album. To support the album the band headed on a major US Tour &amp; Hawaii. During the East Coast leg of the tour they appeared live on NPR’s Tiny Desk Concert series where they performed a new single “I See You” taken from the “Tropical House Cruises to Jamaica Reloaded” album produced by Sean Edwards of Contractor Music. Two music videos &#34;Chalice&#34; &amp; &#34;War Crime&#34; were filmed by Benji Cooper for the album both featured on Reggaeville. Right before the pandemic Black Uhuru went on a small West Coast Tour with Dylan&#39;s Dharma &amp; Etana where they performed at the One Love Festival in Long Beach. During the &#34;lock-down&#34; the band was idle all of 2020. Duckie did one live stream performance for Kumar&#39;s Kulture Walk St. Bess live video stream series during reggae month. In 2021 Black Uhuru released a new single &#34;Jamaica to Here&#34; mixed by Shaquille &#34;Skunga&#34; Kong, &#34;Med Dread&#34; &amp; Mark &#34;Jah Servant&#34; Giles. Early this year in 2022 Black Uhuru just released a new full length album titled &#34;New Day&#34; &amp; music video for &#34;Brand New Day&#34; that features the members of Dylan&#39;s Dharma band. Partnering with Law Records the album was produced by King Hopeton at his Double Lion Studio in Helltown California &amp; mixed by Jermaine &#34;Ajang&#34; Forde with Dylan&#39;s Dharma band as the Executive Producers.Three music videos were made for the album &#34;Top Ranking&#34;, &#34;Gal Next Door&#34; &amp; the title track &#34;New Day&#34; all filmed by King Hopeton. After the Pandemic Black Uhuru got back on the road in 2022. Starting with a small West Coast US Tour with Dlyan&#39;s Dharma in the Spring. Then in the Summer they headlined the Puerto Rico Reggae Festival at the Tito Puente Amphitheater. And finished a major US Tour in the Fall. In 2023 Duckie released a new track titled &#34;Teaching of his Majesty&#34; that features Jah Mason from Boxy Records. Black Uhuru went on one small US West Coast Tour &amp; headlined the Truckee Reggae Fest.

Black Uhuru

Reggae Night w/ Winston Irie

<div>Nick Kessler is a singer / songwriter born and raised in New York City. Nick covers a wide range</div><div>of artists spanning several decades and genres along with performing songs from his debut</div><div>album, Seen, Not Heard, that can be found on all music streaming platforms including Spotify</div><div>and Apple Music. Nick has played at venues large and small throughout New York City, such as</div><div>The Delancey, Rockwood Music Hall, Avoca NYC, and Horns Hook Tavern. Over the last few</div><div>years, Nick has been breaking into the live music scene on the east end. He is a regular</div><div>featured summer performer at Marlena’s Pack Out in Montauk, along with performing at Springs</div><div>Tavern &amp; Grill and The Clubhouse in East Hampton and has opened for the likes of Inda Eaton,</div><div>Nancy Atlas, and Rhett Miller of the Old 97’s at the iconic Stephen Talkhouse in Amagansett.</div><div>Nick is beyond excited for his first headlining gig at Stephen Talkhouse</div>

Nick Kessler

<div>The Jack Marshall Trio is a guitar driven Jazz, Funk, and Soul project led by long time East End music staple, Jack Marshall. From Grant Green to John Scofield, Classic Soul tunes to J Dilla inspired beats and Neo Soul, you’ll get an earful of groove oriented music spanning decades, going all the way to modern day. If the word Jazz scares you, don’t be afraid! The Trio is here to show you the funkier side of Jazz that will get you out of your seat and onto the dancefloor.</div>

Jack Marshall Trio Feat. Greg McMullen and Josh LeClerc

Julia Raye is a pop singer-songwriter from Long Island, New York, known for blending classical vocal training with contemporary pop and R&amp;B influences. She began performing in local theater productions and studying classical voice at a young age, later joining the New York All State Choir and the ACDA All National Choir. Raye earned a degree in Vocal Performance from the University of Michigan, studying under Grammy Award-winning artist George Shirley. Her original music showcases her classical training while incorporating modern pop and R&amp;B elements. Julia regularly performs at venues all over Long Island, connecting with local audiences through intimate, high-energy shows. You can find her original music on all streaming platforms.

Julia Raye

<h4>Eddie 9V has an endless stockpile of cool stories – and you’ll find twelve of them on his most recent studio album Saratoga, released in November 2024 on the fabled Ruf Records label. A thrilling mix of Southern soul, blues, rock, and funk, Saratoga proved to be a gamechanger: a road trip-ready record filled with razor-sharp observations, vintage textures, and raw humanity. It also marked a major career milestone: Eddie 9V’s soulful sound began reaching hundreds of thousands of new fans across the globe.</h4><h4>Now signed to Easy Eye Sound — the Nashville-based label founded by Dan Auerbach of The Black Keys — Eddie 9V is preparing to release a brand-new album in 2026. And the momentum keeps growing. Since Saratoga dropped, Eddie’s monthly listeners on Spotify have exploded from 8,000 to peaking at over 800,000.. Songs like “Halo,” “Saratoga” and “Love Moves Slow” have become SiriusXM Spectrum-certified tracks, gaining steady spins and major audience love.</h4><h4>But this rise is years in the making. From the day he first slung a guitar on a local Georgia stage, Eddie 9V (born Brooks Mason) has been an artist to watch. First cutting his teeth in cover bands and regional blues circuits, he made the leap to full-time frontman with a name that couldn’t be ignored. &#34;I wanted to start from scratch – and I ain’t never heard of no bluesman named Eddie 9V.&#34;</h4><h4>That leap paid off. His early albums Left My Soul In Memphis (2019) and Little Black Flies (2021) turned heads for their wild energy and vintage flair. 2022&#39;s Capricorn was a breakout moment, earning rave reviews from Classic Rock, The Guardian, and more. It debuted at #1 on the blues charts before being dethroned by Bonnie Raitt — &#34;a cool story to be able to say,&#34; Eddie laughs.</h4><h4>By the time Saratoga arrived, Eddie 9V had evolved into a full-spectrum songwriter, tapping into deep wells of soul and storytelling alongside his brother and longtime collaborator Lane Kelly. Much of the album was recorded at their Echo Deco Studio in Atlanta, with some sessions at Denver’s Crown Lanes Studio. From the disco-tinged horns of the title track to the fuzzed-out dreamscape of “Delta,” it’s a record that widened the lens without losing the grit.</h4><h4>Now with a major label partner, national tours, SiriusXM airplay, and streaming growth that shows no signs of slowing, Eddie 9V is poised for the next chapter. A new album is on the horizon. The band is sharper than ever. And if Saratoga was the ignition, what&#39;s coming next is the open highway.</h4><h4>&#34;I’m already writing new songs,&#34; he says. &#34;You never stop.&#34;</h4>

Eddie 9V

<h2>Grab your friends and your dancing shoes! CANDY SHOP will get you movin’ and groovin’ all night long!</h2>Packaged with energetic stage presence, professional musicians, and colorful outfits, CANDY SHOP delivers an exciting show sure to get you out of your seats. Showcasing a trio of young divas singing alongside an all star band mixing covers and original music from the upbeat, pop, and funk styles of the 70’s to now.<div><div><h2>WE DO IT ALL!!</h2></div></div>

Candy Shop

Pulsing with the energy of their hometown New York City, ‘If There’s a Heaven’ (2024) is the debut album from indie band Melt. Melt is simultaneously at their most airtight and freewheeling–evoking the raw, communal spirit of Fleetwood Mac as much as the modern, danceable hooks of MUNA. Recorded live to tape with producer Sam Evian (Big Thief), the eleven tracks span feel-good, existential pop (“Plant the Garden”), classic love ballads (“Your Name”) and lush, soulful rockers (“Heaven”). Melt’s debut is a joyous, timeless soundtrack for growing up and finding community. Melt formed in 2017 and saw early success with their first single “Sour Candy.” Quickly spreading out across the Northeast for college, the band reunited to tour over weekends and cut their teeth playing everywhere they could, from packed basements to sold-out theaters across the country. Called “one groovy super-organism” by NPR, the band’s intuitive connection as players and unique combination of sounds has found them supporting a wide array of artists such as Grouplove, Lawrence, and Greensky Bluegrass. More than seven years since their first show, Melt has refined their ecstatic live set and cemented their status as a band to watch. Catch them on tour this Spring across North America.

Melt

Social Gold -- The New East Coast Party Band! A powerful &amp; lively performance with superior quality, reaching all ages from the crowd. Playing everyone&#39;s favorites of yesterday and today in every genre, Social Gold brings the party to YOU!

Social Gold

What goes around comes around, and nearly 25 years since their founding in Denton, Texas, multi-Platinum country band Eli Young Band have come home.Led by an unmistakable vocal and bringing a Texas-rock edge to modern country, the never-changing lineup of Mike Eli, James Young, Jon Jones, and Chris Thompson have spent two-plus decades on the run, growing from hometown heroes into globe-trotting, chart-topping pioneers. Yet in all that time, EYB never forgot its raising, and today the foursome reclaim the spirit behind their success.Returning to their independent roots, the bold creative defiance that launched them into the mainstream – and in many ways to their old stomping grounds – it’s a new chapter driven by experience and a million miles of wisdom, from a band of brothers still very much in their prime.“We started this thing when we were like 20 years old, and it’s been such a crazy road and such a longer road than any of us could have conceptualized at the time,” says Jones. “I think right now feels a little full circle, in a really nice way.”“Now, we get to step back into our Texas shoes,” Eli agrees. “I think this new stuff finds us reaching deep into our past as a band. We’re remembering where the magic was – all those songs we wanted to record for our Level record, that felt way too edgy for Country Radio at the time.”Indeed, after becoming icons of Texas’ vibrant college-bar scene – and then packing arenas all over the state (without label support) – that Level album from 2005 landed like a live wire, injecting EYB into the mainstream. They followed in 2008 with their Gold-certified breakout “Always the Love Songs” and Jet Black &amp; Jealous, one of three career Billboard Top 5 albums which include the Number One 10,000 Towns and Platinum Life At Best.Likewise, back-to-back Number One singles came with the 5X Platinum “Crazy Girl” in 2011 and 3X Platinum “Even If It Breaks Your Heart” (2012), plus the Platinum Number One “Drunk Last Night” and 2X Platinum Number One “Love Ain’t” after that. All along they kept the intensity of their live shows front and center, and with a following which now includes more than 1.4 million Facebook followers, 2.2 million monthly Spotify listeners and more, it’s time to get back to the point.Ready to follow up 2022’s Love Talking, the band have returned to Panhandle House Studio in their hometown of Denton – the same studio where Level was born – bringing new tunes and new excitement along with them. All co-written as a band or with long-trusted collaborators, a fresh batch of songs return EYB to the raw, grassroots energy and emotional sting of their early work, geared for the stage and recorded without digital tricks.For the band, being independent again for the first time in years isn’t a challenge, it’s a reward – and they took the chance to embrace not just renewed creative freedom, but the fun of their self contained live-band philosophy.“Going back to Panhandle House where we recorded Level, it feels like we got to remind ourselves why we started making the kind of music we make,” Eli says. “When this music comes out, I think fans will know it is 100% coming from us.”“Honestly, going to Panhandle House feels like going back to your childhood house in a way,” Jones notes. “It just evokes these memories, like this slightly-younger version of ourselves comes out.”“One thing that’s really special is we’ve come full circle and remember that energy, but we’re also older and wiser,” Thompson adds. “We have years of studio, songwriting and performing experience under our belt, so we have more of a honed edge going in. That’s a really cool advantage.”The comfort level is plainly evident. Exploring new corners of their patented sound by day, and going home to their families each night, the band were free to bring every ounce of the last 25 years to bear. Tracks like the lead single “Home In Hometown” are proof, featuring all the elements that made EYB what it is – from the electric vocal delivery to the deeply textured sonics and soulful theme.A true-to-experience ballad of life on the highway, “Home In Hometown” stands as a heart-on-their-sleeve tribute to those the band loves most – and what they’ve learned from 20&#43; years away. While atmospheric guitars and a steady rhythmic pulse capture a sense of anticipation, another euphoric chorus helps the band unpack what “home” really means.“I was digging deep into our Texas roots,” Eli says of the modern-classic midtempo. “I wanted to write something that felt like Pat Green or Jack Ingram would cut. And when you travel like we do, a lot of times you’re thinking about coming home and being with your family – but, it’s almost like if they meet you on the road, anywhere can be home. It just feels right. I wanted to capture that.”More new tunes will roll out as 2025 and their 25th anniversary arrive, with the band continuing to celebrate an EYB homecoming. From feel-good singalongs and heart melting wedding anthems to pure, untamable romance and clever comebacks of love, they show the same stage-rocking Texas-country hit makers fans know and love, undaunted and with new maturity baked in. We all know seasons change, but if you pay attention long enough, things have a way of coming back around.“It’s been a blessing just to be able to do this for so long, and over our career we’ve seen a lot of bands come and go,” Young says. “It feels it’s family, and we can take that with us as we go down this next part of the road.”“Our music, since it’s been the four of us making it from day one, has such a strong through line,” Jones agrees. “The way we sounded in the beginning, that’s the way we’re going to sound in the end.”“There is no A&amp;R, there’s no label head. There’s nobody saying, ‘Maybe you should do this, maybe you should push that,’” Eli explains.“Yeah, we’ve got no one to blame,” Jones adds with a laugh. “Honestly, we just want people to know we still absolutely love making music, and this comes from a place of passion. Life is good and we’ve got stuff to say, we’ve got this thing we’ve built. I feel like we’re in a good place.”

Eli Young Band

<div>Hot Lava is, quite simply, the greatest cover band on Earth.</div><div> </div><div>Hot Lava is more than a band—it’s a social movement, with shows drawing hundreds of fans looking to be scalded by our molten musical interpretations anchored in 70s-era rock-and-roll and the scorching sounds and blistering beats of the 80s, 90s, 00s, and today. A key to our success is that we play great songs. And we play the shit out of them.</div><div> </div><div>Known for an epic live music experience, Hot Lava performs regularly in NYC and the Hamptons. We’ve played small private parties for the 1% and 2,000&#43; person benefits for charity. Some of our members have toured with national acts yet, if you ask them, they’ll admit nothing is more kickass than Hot Lava.</div><div> </div><div>Once the Lava gets flowing, there&#39;s no outrunning it.</div>

Hot Lava

<div>A spectacular lineup of East End Musical Legends all to support the NonProfit, Atlas For The Arts. </div><div>Backed by Nancy Atlas, Johnny Blood, Brett King, Denny McDermott, Joe Delia and Greg McMullen GE Smith &amp;Taylor BartonMama Lee &amp; RoseGene CaseyKlyph Black  Bosco MichneInda EatonSarah ConwayLittle Head Thinks Josh Brussel, and Matt DauschJettykoon Thomas Muse and BoscoHorns from REEBAnnie Trezza and Kevin The KindCash Muse, Julian Link Morse, Silas JonesAnd the list keeps growing (but not much more cause its getting big!) This is a DO NOT MISS EVENT.</div><div>Atlas For The Arts is a Non-profit that supports music, theater, and arts programming for our East End Schools. We believe in the transformative power of music. Our mission is to raise funds for musical education by collaborating with talented local musicians. Together we can create vibrant live performances that not only entertain but also enrich our community. Join us in fostering a love for the arts and supporting the next generation of musicians through engaging events and educational programs. In addition, we look forward to sponsoring holiday performances for our Senior Citizen Centers. We believe that live music, theater and art help our community thrive. Thank you for joining our family!</div>

The Howl- A Spectacular Lineup of East End Musical Legends

Inner Roots, the hottest and most sort after reggae show, dance and backing band the sound of which can be at the best eateries in New York, parties, festivals and cultural events.Inner Roots revived the live band sound and the affordability in the metro area and expanded their listenership and fan base to the suburbs.By all means be the judge and compare the quality of their unrivaled repertoire that’s supersedes the excellences of today’s standards in their display of artistry and infinite musicianship.Inner Roots Band offers a collaboration of many years of musical talent. They are a true expression of reggaes versatility. Their live performance takes you on a journey of Roots, Culture, Lovers Rock, Dance Hall, Vintage Classic reggae music that is rooted in Jamaica and spanning the world. They have been playing together for many years and each member has a style which can’t be refuted.Inner Roots Band consist of Neville Morris (bass), Lee Archebald (guitar) Richard Blackwood (keyboard),Virginia Henriquez (vocal), Owen Dalhouse (drums/leader), Phyllis McClain-Dalhouse (percussionist/manager) These accomplished musicians in their own right have helped to keep Roots, Rock, Reggae alive. World, this that you hear is a tip of the iceberg, Inner Roots simply the best in live entertainment.

Reggae Night w/ Inner Roots

Maddennovo&#64;gmail.comBIO:Madden Novogratz is an NYC-based singer-songwriter with a catchy pop-rock sound that pulls from both the soul-funk tonality of Lake Street Dive and the distorted energy of The Arctic Monkeys. With raw vocals aged beyond her 21 years and songs thematicallyrooted in anxiety, self-discovery, and NYC, her music is relatable yet electrifying.Novogratz has played some of NYC’s most beloved rooms—from the Mercury Lounge to The Bitter End to Berlin Under A—and is currently finishing up her debut EP, EYES. However, her blues-inspired single &#34;Monday Morning&#34; is out everywhere now.LINKS:Website: https://www.maddennovogratz.com/Spotify: https://open.spotify.com/artist/6w4vdqpjThTscsYBLHK5IrInstagram: https://www.instagram.com/maddennovogratz/?hl&#61;en<div> </div>TIKTOKTiktok: https://www.tiktok.com/&#64;maddennovogratz

Madden Novogratz

Prepare to be transported back to the vibrant 1970s as New York City’s premier ABBA tribute band, Mamma Mania! brings the classic hits of one of pop music&#39;s most iconic groups to life. With their dazzling costumes, flawless harmonies, and captivating stage presence, this tribute captures the essence of ABBA’s unforgettable sound.From &#34;Dancing Queen&#34; to &#34;Mamma Mia,&#34; fans will enjoy a night filled with nostalgia from a stellar cast of musicians! Performers include current or former touring members of: Mamma Mia - Official North American Tour, Marc Martel’s Queen Extravaganza, INXS, Britney Spears, Rob Thomas, The Weeknd and many more! Mamma Mania! pays homage to ABBA&#39;s legacy, celebrating the timeless melodies and uplifting lyrics that have charmed listeners for generations.Join us for an evening of music that showcases not only the incredible songs but also the joyful spirit of ABBA. Whether you’re a lifelong fan or new to their music, this tribute promises to be an unforgettable experience filled with energy, enthusiasm, and plenty of dancing. Don&#39;t miss your chance to be part of this extraordinary celebration of ABBA from some of New York’s finest!!

Mamma Mania- ABBA Tribute Band

With curly tufts of a recognizable Jewfro peeking out from his omnipresent knit cap, Andy Frasco is a cross between John Belushi’s “Joliet” Jake Blues and Jimmy Buffett. He’s a band-fronting, songwriting party animal who turns into a swirling rock ‘n’ roll Tasmanian Devil onstage leading his U.N., not unlike Bruce Springsteen and the E-Street Band. From switching instruments mid-song to Frasco stagediving into the crowd or kibitzing with them, an Andy Frasco &amp; The U.N. show is a celebration of inclusivity and tolerance where “You do You” and “let us do us.”The band has grown from playing bars to touring more than 250 days a year all over the country, with Frasco describing that 15-year journey on Growing Pains, the group’s landmark 10th studio album and first full-length effort since 2023’s L’Optimist, showcasing Andy’s growth as a tunesmith in his own right.Produced by Frasco himself for the first time, the collection’s centerpiece is the anthemic “Try Not to Die,” a glass half-full anthem to seizing the day that combines country twang with an easy island breeze in its affirmative message.“Life is Easy,” featuring bluegrass superstar Billy Strings, Daniel Donato’s Cosmic Country and co-writer/frequent collaborators Steve Poltz (Rugburns, Jewel) and Chris Gelbuda (Meghan Trainor), is a folk protest anthem. “Swinging for the Fences,” featuring cameos by G. Love and Eric Krasno (Lettuce, Tedeschi Trucks Band Soulive), is a Motown-flavored paean to dating someone out of your league. The playful “They Call Me Hollywood (But I’m from LA),” co-written with frequent partner Kenny Carkeet, features rapper ProbCause, while the title track is a sing-song, hip-hop-influenced rhyme about embracing change and taking it day-to-day.Frasco wrote most of Growing Pains in Nashville with his longtime guitarist Shawn Eckels and frequent songwriting partners Chris Gelbuda, Steve Poltz, and Andrew Cooney.“I came into this life wanting to write songs,” said Frasco. “It took 15 years, but I feel I’m starting to get credit for it. My cup is full. I’m really starting to see my dreams come true.”

Andy Frasco & The U.N.

Performing All Your Favorite Country Hits!

Country Road

“THE BROKEN HEARTS &#34; are a nationally touring Tom Petty tribute band hailing from Gainesville, Florida and were created in 2017 by former Tom Petty and Mudcrutch bandmate, bassist Charlie Souza. Charlie has also worked with other legendary songwriters such as Greg Allman, Vanilla Fudge and The New Rascals. Along with singer/songwriter Shawn Scheller (Save The Radio!) Charlie and Shawn have assembled a core group of pro musicians that most accurately captures the &#34;live&#34; concert experience of Tom Petty &amp; The Heartbreakers.The current touring band consists of :- Shawn Scheller ( Save The Radio / The Contenders ) as Tom Petty on lead vocals and guitar.- Mateo Olivo ( Infamous Unknowns / The Contenders ) as Mike Campbell on lead guitar - Dave Walker ( The Hazies ) as Howie Epstein on bass guitar, - Aidan Cain ( The Contenders ) as Benmont Tench on Piano, Organ and keyboards - Chris McDonald ( The Henley&#39;s) as Stan Lynch on drums - Scott Lockhart ( The Contenders ) as Scott Thurston on percussion and electric guitar

The Broken Hearts - Tribute to Tom Petty & The Heartbreakers

GA (arrive 30min within showtime to ensure entry

<div>New York&#39;s impresarios of funky fresh, Booga Sugar has become the perfect embodiment of impossibly polished dance grooves.  They have created a visionary sound that evokes a Studio 54 revival veering towards pop bliss performing an eclectic mix of Rock, Pop, R&amp;B, Funk and Disco hits from throughout the decades while whipping their audiences into an arena rock like euphoria with their mind blowing mash-ups and epic segues.Founded by former Geffen recording artist Tim Cloherty, Booga Sugar’s high-energy performance delivers no shortage of charmingly fun and prolifically crafted hits of their own too.  Booga Sugar rocks the Hamptons all summer long, and sells out venues in NYC and the NY metro area year round. As New York’s #1 Premiere party band, they are the ultimate addition to any event.The club-ready sound that is Booga Sugar will leave you hungry for more. This is dance music so perfect it can&#39;t help but move you.</div><div> </div><div> </div>

Booga Sugar

GA (arrive 30min within showtime to ensure entry)

From fist pumping, sing-a-long anthems, to high energy Top 40, Party Rock and Dance (even some Country), Fast Five is New York&#39;s most exciting new cover band providing the best in live entertainment!  We are a dynamic group of 5 veteran musicians who have played every scene, including bars, nightclubs, colleges, weddings, corporate parties, and national venues. Our song list is huge and constantly growing!  We tailor our act to suit every type of audience, from late night club crowds, to country club parties and everything in between.  Playing songs that are meant to be played live, every Fast Five show is a high energy, live music experience!

Fast Five

<div>KIDS THAT FLY: Kids That Fly didn’t come up through industry pipelines—they came up through packed house shows at the University of Connecticut in late 2018, where sweat, persistence, and the hum of amplifiers blurred into something larger than just scrappy guitar rock. What started as a group of friends chasing a rock &amp; roll fantasy quickly turned into a band with real velocity—built on long drives, louder nights, and the quiet certainty that they had something worth chasing. They earned their footing the hard way—grinding through the greater New York circuit while commuting in and out of New York City to record their earliest projects. That DIY momentum has since scaled into a bi-coastal operation following their signing with Giant Music, with recording sessions now spanning NYC, Los Angeles, and their home base in Connecticut. Still, nothing about them feels manufactured—the heartbeat of the band remains raw, urgent, and rooted in the stage. Raised between Connecticut and New York, Kids That Fly pull from a deep well of rock influence—channeling the downtown cool of The Strokes, the melodic sharpness of Weezer, and the emotional charge of UK bands like The 1975 and Catfish and the Bottlemen. Their sound lands in that rare space between nostalgia and now—anthemic, melodic, and built for volume. It’s why they sit naturally alongside bands like The Killers, Young the Giant, and Arctic Monkeys, while still carving out a lane that feels entirely their own.</div><div>Press has been quick to respond—Atwood Magazine praising their “captivating indie rock anthems,” Music Connection calling out their “polished, powerfully fun pop-rock,” and The Aquarian highlighting their “fervent spirit, rock energy, and romanticism-laced narratives.” But the real story isn’t in the quotes—it’s in the live moment, where the line between band and audience disappears, and the songs hit like something shared. Kids That Fly aren’t just riding a wave—they’re helping build it. And they’re doing it the way great rock bands always have: loud, and without compromise.</div><div> </div><div> </div><div>SIMILAR KIND:</div><div>Similar Kind blends evocative lyrics, synth textures, groove driven arrangements, and saxophone into an alt pop sound. Their music has been compared to artists such as Japanese Breakfast, Benee, Magdalena Bay, and Hiatus Kaiyote. The band formed nearly seven years ago in Norwalk, Connecticut and has continued to develop through consistent writing, recording, and live performance. Their music is often described as cohesive and well rehearsed, reflecting years of collaboration. This connection is also present in their live shows, where the six piece band focuses on engaging audiences through tight performances.</div> Looking for a fun band? Find Peat Moss and The Fertilizers. They are the most animated, fun loving and talented group of performers on the circuit today. Together since high school, this tight-knit group of friends have come a long way, with thousands of performances under their belt! Their ever-expanding song list of fun, upbeat material wows all music fans from any age group.One thing heard time and time again about the band is that they possess tremendous energy and a love of their craft, which shines through in every performance. This provides the audience with a ‘vacation from reality,’ as one viewer remarked. Peat Moss and The Fertilizers will never let you down and never leave an audience unfulfilled. So get on the dance floor, forget all of your problems and be prepared to dance the night away.

Kids That Fly w/ Similar Kind 7pm & Peat Moss & The Fertilizers 10pm

GA- 6pm to 7pm (Must arrive prior to 7pm)

GA- 7pm to 8pm (Must arrive prior to 8pm)

GA- 8pm to 9pm (Must arrive prior to 9pm)

GA- 9pm to 10pm (Must arrive prior to 10pm)

GA- 10pm to 11pm (Must arrive prior to 11pm)

GA- 11pm -12pm (Must arrive prior to 12pm)

12am-close

&#34;Whenever we&#39;re onstage, we&#39;re just trying to throw a party,&#34; says Clay Street Unit&#39;s Sam Walker. &#34;Life&#39;s hard enough already. We want to remind people to let loose, love each other, and enjoy themselves.&#34;Celebration. Catharsis. Friendship. It&#39;s all part of Sin &amp; Squalor, Clay Street Unit&#39;s full- length debut. Recorded in the foothills of the Rocky Mountains and inspired by the soundsof the Appalachians, it&#39;s a record that blurs the borders between genre and geography. The result is a singular interpretation of American roots music — a sound that mixes the acoustic instrumentation of bluegrass and folk with the amplified energy of Americana and country. Driven forward by drums, sharp songwriting, and the chemistry of six good friends and musical brothers who&#39;ve shared countless hours on stage, Sin &amp; Squalor doesn&#39;t just nod to Clay Street Unit&#39;s wide spread of influences; it reshapes them into something new. Everything began in Denver, Colorado, where Clay Street Unit formed in 2021. Many of the band&#39;s members — mandolinist Scottie Bolin, banjo player Jack Cline, pedal steel guitarist Brad Larrison, drummer Brendan Lamb, and singer/guitarist/ringleader Sam Walker — had grown up elsewhere, spending their teenage years in cities like Atlanta, Charlottesville and Montgomery. Coming together in Colorado where they added bassist Jack Kotarba, they mixed the southern soundtrack of their youths with the raw, rugged spirit of the West. After building an audience at local venues like Cervantes, the guys hit the road, where the very thing that once made their music so difficult to categorize — the sheer diversity of their sound — became one of their calling cards. &#34;We played bluegrass events, folk festivals, and country venues,&#34; Walker says of those early shows, which the bandmates often booked themselves. &#34;We were able to share our music with so many different demographics and dip our toes into different pools, and what we realized is, it&#39;s all pretty similar. Our music seemed to meet everyone in the middle.&#34; Between their cross-country tours, Clay Street Unit found time to head back home to Denver, where they recorded Sin &amp; Squalor with producer (and co-founder of the Grammy-winning Infamous Stringdusters) Chris Pandolfi. Harnessing the electricity of the band&#39;s live show felt like a natural goal, but the guys pushed for something deeper too, showcasing the songwriting chops that had evolved since the release of their introductory EP, A Mighty Fine Evening, in 2022. &#34;We recorded A Mighty Fine Evening in three hours on a Wednesday night, with a case of beer,&#34; Walker remembers. &#34;It was a great representation of who we were at the time, but we wanted to capture something deeperand emotionally vulnerable with this album. Sin &amp; Squalor grapples with some heavier concepts, and we tried to do so in a relatable way.&#34; Heavier concepts can&#39;t weigh down Clay Street Unit, though. The guys are still throwing a party. With its call-and-response chorus and dazzling mandolin riffs, &#34;Where Have You Gone&#34; is a roots-steeped anthem, shot through with fire-powered fretwork and heartland hooks. Similarly, &#34;Drive&#34; begins with an aching lament, as the lyrics capture the racing thoughts of a traveler who misses the loved ones he&#39;s left behind, only to slam into an energetic fifth gear during its final stretch. &#34;That song is about wanting to be with someone,&#34; Walker explains, &#34;and the impulse you might have to just drop everything and drive to them. In the studio, we thought, &#39;Why not highlight that urgency by kicking into double time at the end of the song?&#39; We wanted to showcase the immediacy of the moment.&#34; Sin &amp; Squalor showcases more than the string-band stomp and eclectic enthusiasm of a must-see live act, though. It also highlights Walker&#39;s ability to turn everyday stories into something cinematic. On &#34;Let&#39;s Get Stoned,&#34; he paints the picture of two lovers taking stock of life&#39;s simple pleasures. The rent is high and their apartment is cold, but they&#39;ve still got each other, as well as some weed and bottom-shelf whiskey. The song is a countrified celebration of the things that keep us aloft, and Walker sings it with a voice like broken-in leather, supple one minute and sturdy the next. Call it folk-country. Call it western Americana. Call it Rocky Mountain Newgrass with southern soul. Clay Street Unit aren&#39;t concerned about the various definitions; they&#39;re just happy that more and more people are listening. With Sin &amp; Squalor, they stake their claim as torchbearers of something both fresh and familiar, nodding to the traditions of American roots music while sharpening their own modern edge.

Clay Street Unit

Tell Me Lies showcases the timeless hits of Fleetwood Mac, a band renowned for their exceptional song writing and energetic live performances. The accomplished members of Tell Me Lies have been creating music together in various styles and combinations for many years. It was only natural for them to unite and honor the unmatched legacy of Fleetwood Mac. With an unwavering commitment to authenticity and a deep respect for their craft, Tell Me Lies meticulously recreates the beloved sounds and visuals of one of the world&#39;s most adored best-selling bands.

Tell Me Lies -The Fleetwood Mac Experience

<h3>&#34;Okay...The Allmost Brothers Band&#34;</h3>The Allmost Brothers Band is a progressive tribute act honoring the tradition of the legendary Allman Brothers Band. Working within the framework of the incredible and vast song book of the ABB, The Allmost Brothers inject something new, fresh and exciting into the material. In a matter of words: high level musicianship, authentic improvisational interplay, dedication to the high octane performance, and power that established theoriginal ABB back in 1969, and sustained their 45 year carreer.The Allmost Brothers Band are: Sean McGrath, and Dave Filloramo on lead guitars, Joe Wasserman on Vocals &amp; Keys, Dave Losee and Dan Roth on Drums, and Tom Hooker on the Bass.This band of brothers truly thrives on chemistry and improvisation bringing a unique fire every night to the song book of the ABB.Duane Allman had a clear vision all those years ago, to spread the gospel of American Blues, R&amp;B, &amp; Jazz music to the people.  With this gospel the original ABB created a new sound that would fill concert halls, car radios, and smokey bars for decades to come.  The Allmost Brothers share in this same vision, and bring their explosive sound to paying tribute to  the greatest live band in history.  From the Fillmore to the Beacon, The Allmost Brothers stretch from the original Duane Allman &amp; Dickey Betts lineup to the recent Warren Haynes &amp; Derek Trucks lineup and everything in between.At the heart of things The Allmost Brothers Band are more than a tribute act, they are an experience.

The Allmost Brothers Band

Black & Sparrow

La Herencia is a nine-piece Salsa, Cumbia, and Latin Soul powerhouse based in Long Island, NY. Led by pianist and bandleader Nick Corredor, the group is on a mission to revive the golden era of salsa and bring its infectious rhythms back to the mainstream. Rooted in the sound of Alegre Records and Fania Records, La Herencia blends raw percussion, deep brass, and the elegance of woodwinds and strings to create a groove reminiscent of Eddie Palmieri, Ray Barretto, The Lebrón Brothers, and Willie Colón. Corredor, a Colombian American musician with deep ties to the salsa and Latin music scene, brings a modern edge while staying true to the genre’s rich history. With its distinct charangainfluence and relentless swing, La Herencia is breathing new life into the dance floors of New York and beyond. As part of the Elieco Records collective— you can purchase any music by finding them through their name &#34;La Herencia&#34;.

Industry Night w/ La Herencia

&#34;Their name says it all: The Dave Matthews Tribute Band. For nearly 20 years, the band has been performing sold out shows around the world; playing over 1,500 dates in 46 states and 8 countries. Many go to their live shows with reservations, high expectations, and the burning question, &#34;Do these guys sound like the real Dave Matthews Band?&#34; Almost always the answer is &#34;Yes!&#34;Beyond mastering the DMB sound and the relentless touring, what separates The Dave Matthews Tribute Band from other cover bands is their passion, love, and respect for DMB and their music. That is what makes you come out of one of their shows saying, &#34;Yeah, they really do sound like the real Dave Matthews Band.&#34;

Dave Matthews Tribute Band

The Max-Ultimate 90's Party

The Max- Ultimate 90's Party!

<ul><li><div><div><div><div><div>Morrissey Blvd. is a sibling trio from New Bedford, Massachusetts made up of Zan (lead vocals/guitar), Henri (bass/vocals), and Wilson (drums). Their sound blends soulful funk and the raw energy of rock, with influences ranging from Stevie Wonder and Jack Johnson to Mt. Joy and Marcus King. Known for heartfelt lyrics and high-energy live shows, their music dives into themes like heartbreak, growth, and learning to let go.</div></div></div></div></div></li></ul>Tobacco Road:Take your art seriously, not yourself.That’s the motto emerging blues-rock band Tobacco Road lives by - whether they’re on the road, in the studio, or practicing in their East Nashville garage. Playful, energetic, and equal parts modern and soulful, the band’s spirited personality turns a room full of strangers into a group of friends in minutes.With a little central Texas spunk, old-school Louisiana blues, and roots in North Carolina’s Piedmont, the past lives of Tobacco Road’s members blend into a sound that moves seamlessly between beltable diary entries, Southern-rock storytelling, and indie-rock groove. They draw from the nostalgia of Creedence Clearwater Revival, the soul of Susan Tedeschi, and the dynamics of Fleetwood Mac, while taking cues from modern role models like Maggie Rogers and The Marcus King Band.In their first year as a band, Tobacco Road released their six-song debut EP All in Time and shared the stage with rising contemporaries like Marlon Funaki, Winyah, and Liam St. John. Tobacco Road’s quick development stems from a live show that’s both high-energy and disarmingly intimate - despite the sweeping vocals and wailing solos, they make you feel like part of the band, whether it’s your first or fiftieth show.The shifting moods of the band’s sound reflect the uniqueness of its members as five twenty-somethings learning to navigate love, loss, joy, confusion, and identity. Tobacco Road captures the chaos of growing up and the peace that comes with finding your people.

Morrissey Blvd & Tobacco Road

Despite its title, Ratboys’ new album Singin’ to an Empty Chair is not defined by what’s missing. Rather, it’s the beginning of an important dialogue with a close loved one vocalist Julia Steiner finds herself estranged from. The music on the band’s sixth studio album – its first for New West Records – fills the space that person left behind with 11 songs showcasing Ratboys at the peak of their powers — twangy, effervescent, as confident as they’ve ever been, and perhaps more emotionally interrogative than ever before. The four-piece Chicago band followed up 2023’s highly acclaimed The Window by reconvening with co-producer Chris Walla to begin tracking at a rural Wisconsin cabin before taking the songs to Steve Albini’s famed Electrical Audio studios in Chicago and later to Rosebud Studio in Evanston, Illinois. The results veer from bubbly power-pop on “Anywhere” to irresistible post-country on “Penny in the Lake,” along with heart-piercing ballads like “Just Want You to Know the Truth” and an exhilarating detour into the extraterrestrial on “Light Night Mountains All That,” which Steiner dubs the band’s mammoth “wormhole jam.” Singin’ to an Empty Chair also marks the first Ratboys album written since Steiner began therapy, which the singer/lyricist credits for the clarity found across the album’s unflinching examinations of relationship and self. Fittingly, as the album begins by extending a hand into the void, it concludes with a scene of serenity – all while weaving candid honesty, humor, chaos, and whimsy along the way. “It&#39;s not all doom and gloom,” Steiner says. “The experience of making this record definitely gives me hope for whatever happens next.”/// Words by Patrick Hosken

Ratboys

Pink Lightning is an electrifying NYC based rock and roll cover band. Playing classic rock and pop hits from the 60s to now, they keep the energy high and the vibes fun as hell. With dynamic and exciting rhythm, driving bass, wild guitar, and soaring vocals, this 4 piece outfit packs a ton of punch into a small package!

Pink Lightning

There’s a raw, restless fire at the heart of Winyah’s music. It’s in the crackle of their guitars, the growl of Thomas Rowland’s voice, and the way their songs always feel like they’re chasing something – a feeling, a high, a truth you can’t quite name. With southern swagger, indie rock bite, and a live show that hits, the South Carolina five-piece have quickly emerged as one of the most exciting new bands in the country. Their songs are gritty and real – full of friction, soul, and defiance – and their high-energy live shows are like a shot of adrenaline. Winyah is more than a band name; it’s a hometown, a headspace, a heartbeat. Formed in 2023 and named after Winyah Bay – the coastal South Carolina landmark where four out of five members grew up – the group pulls their sound straight from the source: Humid nights, endless highways, and the push-and-pull of small-town life. Lead vocalist and rhythm guitarist Thomas Rowland, bassist Stephen Russell, keyboardist Robert Buffington Jr., lead guitarist Luke Gordon, and drummer Jacob “Jake” Riley all cut their teeth grinding weekends – independently touring far and wide, all the while juggling jobs, college classes, and long drives – each member committing to the vision long before there was a plan. “I view the band musically as a reflection of where we came from and where we grew up,” Luke Gordon says, with Stephen Russell adding, “We wanted to take a bit of home with us. We didn’t know what we wanted to say, but we knew we had home in common.” That shared grounding gave them a foundation, but it’s their chemistry, drive, and guts that have turned Winyah into a sought-after live show. From house parties to festival stages, they’ve been climbing fast – fueled by instinct, sweat, and a chip on their shoulder. Every win becomes a stepping stone: “As soon as we sold out our biggest show this year,” Rowland grins, “we set a new goal for next year.” What started as a last-minute scramble to fill a Bonnaroo slot in 2024 quickly snowballed into something bigger. Winyah had three songs and five weeks to write the rest of their set – so they bunked on a friend’s couch, jammed every night in a borrowed warehouse, and built their debut record from the ground up. The resulting Lot to Learn (Feb 2025 via Cloverdale Records) wasn’t just a first album; it was a proving ground, a sonic coming-of-age born under pressure and pulled off on instinct. “It was a process ofunderstanding where our tastes overlap,” bassist Stephen Russell reflects – a feeling Gordon echoes: “All of these songs are representations of our growing understanding of each other, and really, the early days of the relationship that is five guys in a band.” From the cathartic chaos of “Feel It All Again” to the driving pulse of “Thread” and the title track’s emotional reckoning, Lot to Learn plays like a snapshot of five lives in motion – messy, ambitious, and full of heart. “That song really outlines a lot of the changes that come with growing up,” Rowland says of the album’s title track. “It makes people think about the challenges that come with changes in your life, or growing up, or finding a new person.” That tension – between nostalgia and release, friction and freedom – defines the band’s early work. Whether it’s Luke Gordon’s Santana-inspired riffs on “Mamacita” or the wide-eyed vulnerability on “Lay Me Down,” Winyah’s songs don’t just tell stories; they build worlds. They’re writing about real life, in real time – and letting the sound lead the way. Winyah’s music might come from the gut, but their vision comes from something deeper. Since day one, the band has been chasing more than just a career – they’re focused on impact, connection, and a sense of purpose that transcends any single show or song. Their goals are sky-high, but they’re not starry-eyed; they’re strategic. “We understand this band as creatives, but we also understand this band down to the dollar and the business,” they say. “We pride ourselves on working as hard as we can – and then harder.” That intensity fuels a live show built to be more than just entertainment. It’s release; it’s community. It’s a space for feeling something – joy, grief, nostalgia, freedom – and leaving it all out there. “Our goal is growth,” they add. “We want to build a real community – a place where people can feel something, escape, or just be.” Winyah’s rise has been fast and hard-earned. To date, their music has amassed over 25 million global streams and counting. They’ve played major festivals like Bonnaroo and Lollapalooza and sold out their first headline tour in 2025 – including iconic venues from NYC’s Mercury Lounge to The Senate in Columbia, South Carolina. Each milestone has built on the last – proof that word is getting out, and the world is starting to catch on. Now, Winyah are channeling that momentum into what comes next. Deep in the writing and recording process for their second album, they’re pushing themselves harder than ever – refining their sound without losing the edge that got them here. If Lot to Learn was about exploration, this one’s about intention. “We’re looking to have a more defined vision in what we’re doing and what our message is,” they explain. The sound is still real, still rough around the edges – but the vision is sharper, and the stakes are higher.Winyah aren’t slowing down; they’re doubling down. “The goal is growth,” they say. “To keep writing songs people connect with, to keep giving that release every time we play them live.” Still restless. Still hungry. Still convinced the best is yet to come. At its heart, Winyah is about finding meaning in motion: Making music that reflects the chaos and clarity of growing up, screwing up, and pushing forward. “We want our songs to inspire,” Rowland says. “To be a place where people can let go, or look inward, or just take a deep breath and enjoy.” They call themselves a “live band first,” and it shows – not just in the sweat, swagger, and unfiltered honesty of their sets, but in the way every decision they make flows from that fiery spirit. They’re dreamers, yes – but the kind who turn dreams into deadlines. Headlining 1,000-cap rooms. Playing Glastonbury. Becoming a face of the new rock-and-roll revival. Their hopes are ambitious by design: Bigger rooms, bigger stages, deeper connection. “Delusional in the best way,” as they put it – and determined to make every step count.

Winyah

Big Karma

<div>Welcome to BOWIE STATION, where you can make your connection to the past and the future through the timeless music of David Bowie!</div><div>Drawing from his classic albums from the 1970s, Bowie Station recreates the energy, excitement and theatricality of David Bowie&#39;s songs without the use of wigs, costumes or fake accents adopted by so many tribute bands today.</div><div>Bowie Station is Real Rock &amp; Roll !!</div><div><div>The Band is:</div><div>ED RYAN, lead vocal (Trans-Siberian Orchestra, Petty Rumours, Wide Awake)</div><div>RICHIE NASO, lead guitar (Desert Highway)</div><div>KEVIN McCANN, gtr/keys/vox (Wonderous Stories)</div><div>RICH COYLE, keyboards (Four Way Street, Badlands)</div><div>PAT FALCO, bass (Falco Brothers)</div><div>JEFF SCHUMACHER, drums (Various)</div></div>

Bowie Station

Audawind is a three-piece coastal country rock band made up of identical twin brothers, Ben and Sam Dufton and sister, Shelby. They are from the North Fork of Long Island, an agro-tourism summer community across from the Hamptons. Blending Country Rock with Hip Hop, this trio has been putting a fresh twist on Traditional Country for the last 10 years. This country rock band has sand in their boots but has called Nashville home for the last three years. As the songwriters and producers, Audawind weaves Skynyrd-esc guitar solos and rolling banjo through diva vocals and infectious drumbeats into a sound crowds can’t help but dance to. The sound of music, that’s what Audawind means and what this band is all about.

Industry Night w/ Audawind

Jimmy Buffett often spoke of “traveling the songlines,” a phrase borrowed from the Aboriginal tradition of mapping the land through music and story—paths that connect people, places, and moments across time. Jammy Buffet picks up that journey, where Buffett’s coastal storytelling meets the improvisational spirit of the jam band world. Led by singer-songwriter Bob Barrick, with key contributions from Brendan Mayer (son of longtime Coral Reefer Peter Mayer), bassist Andrew Cooney, drummer Tyler Gwynn, this Colorado–Tennessee outfit breathes new life into Buffett’s timeless “Gulf &amp; Western” sound. Their live shows offer something for everyone: greatest-hit singalongs for casual fans, deep cuts for the diehard Parrotheads, and cosmic, exploratory jams for those along for the ride. Expect sun-soaked grooves, surprise segues, and barefoot boogie energy from start to finish. With collaborations featuring original Coral Reefers Peter Mayer and Jim Mayer, Jammy Buffet is quickly making waves in the Gulf &amp; Western world, bringing fresh musicianship and modern jam sensibilities to Buffett’s storied catalog.

Jammy Buffet

Bombargo is a Canadian based international touring band that drops a vibrant splash of soulover their distinctive ‘vintage-pop’ sound. Well known for bringing unrivaled energy to the stagewith sing-along anthems, double-brother harmonies, and a powerful message that combinedmake for one of the most captivating live shows ever! Frontman Nathan Thoen&#39;s passionateconviction and ‘Jagger-like’ dance moves even impressed billionaire and music industry icon SirRichard Branson, quoting “I haven’t seen this type of energy since The Rolling Stones!” - and hewould know, having personally signed The Rolling Stones to Virgin Records.The band began with lead singer Nathan Thoen and guitarist Spencer Chilliak after the twospontaneously met and drove 16 hours to attend Sasquatch Music Festival where they becameinspired to start a band. The duo wrote their debut single “Let It Grow” during their very firstwriting session and as part of Bombargo’s debut EP Back on Main which would go on to beincluded in “The Top 10 Best Saskatchewan Albums of 2015” by SaskMusic. This furtherinspired them to continue writing, touring, and release their first full-length album titled We AreBombargo. The group has since evolved into a 7-piece touring band adding Nathan’s brotherAnthony Thoen on guitar, additional brothers Matt and Sammy Folkersen on keys and bassrespectively, Connor Newton on saxophone, and Niall Cubbon on drums.Bombargo went on to receive massive acclaim when pop star icon Taylor Swift added their2018 single “Mr. No Good” to her Spotify Playlist titled “Songs Taylor Loves” alongside megaartists including Ed Sheeran, Camilla Cabello, and Kendrick Lamar. Being the only unsignedband on this star-studded playlist saw Bombargo featured on CBC’s the Q, NME, Exclaim,Fashion, Noisey, People, and Billboard. This success was followed up by the release of theirmost successful single to date - “Oxygen” which pushed Bombargo into the Canadian Hot ACTop 40 Charts for the first time in the fall of 2019. The band also made its US touring debut inlate 2019 with their 33 date “North American Dream Tour” which kicked off with Bombargoplaying the sold-out Roughriders Labour Day Classic Half-Time Show to over 33,000 people.The band’s highly anticipated US debut at Hotel Cafe in Hollywood, CA gained heavy presscoverage including a raving article in Billboard Magazine.Bombargo has opened for legendary acts including John Butler Trio, Michael Franti &amp;Spearhead, Joel Plaskett and most recently performed on the Okeechobee festival main stagein Florida with over 40,000 in attendance. They have surpassed 4.5 million streams on Spotify,received over 715,000 views on YouTube, and were nominated for the Saskatchewan MusicAwards “Pop/Rock Artists of the Year&#39;&#39; in both 2018 and 2019. In August of 2020 the bandlanded a ‘most excellent’ cameo in the hollywood blockbuster “Bill &amp; Ted 3: Face The Music”.There’s no doubt Bombargo will continue spreading The Goodtime GuaranteeTM long into thefuture with the release of their new album ‘nubula.’ (released in May of 2022), and upcoming“Goodtime Guarantee Tour” this coming fall.

Bombargo

Faces For Radio is a high-energy party band that plays the greatest songs ever recorded. If you&#39;re not having fun at a Faces For Radio show, you&#39;re doing something wrong. Founded in 2019, FFR has grown from small bar gigs to performing at some of the biggest venues, events, and weddings on the east coast. Known for turning any room into a full-blown party, FFR’s setlist includes current hits, throwback anthems, and unexpected crowd-pleasers. Catch Faces For Radio at Stephen Talkhouse or anywhere you love to see live music.

Faces For Radio

With the arrival of their debut EP Life and Life Only, The Heavy Heavy immediately filled a longtime void in the musical landscape, delivering a soulful breed of rock &amp; roll untouched by modern artifice. As audiences across the globe grew enchanted with their era-bending sound, the UK-based band began selling out headline shows in major cities like New York and Chicago, opening for the likes of Black Pumas and Band of Horses, and earning critical comparisons to Jefferson Airplane, The Band, The Mamas &amp; The Papas, and more—all with only a handful of songs to their name, including the AAA radio top five singles “Miles and Miles” and “Go Down River.” After spending the past two years on the road and in the studio, The Heavy Heavy now draw listeners even deeper into their dreamworld with their long-awaited debut album One Of A Kind.Written entirely by co-founders Georgie Fuller and William Turner and mostly recorded at Turner’s studio in Brighton, One Of A Kind maintains the self-contained approach of Life and Life Only—a seven-song project acclaimed by outlets like NME (who named them an essential emerging artist for 2023) and The Guardian (who noted that The Heavy Heavy “write and play music with that lick of madness that makes early Fleetwood Mac and peak Stones so thrilling”). To that end, Turner produced, engineered, and mixed every track and handled most of the LP’s lavish instrumentation (including guitar, bass, piano, organ, Mellotron, and more), with The Heavy Heavy’s live band lending their explosive energy to the album. But in a departure from the EP, One Of A Kind leans away from Laurel Canyon-esque folk-rock and fully embraces their British roots, finding a particularly crucial inspiration in the gritty and groove-heavy hedonism of the Rolling Stones’ Goats Head Soup. “A lot of our EP was very bright and pretty, so we wanted to smash the door down like we do in the live show,” says Turner. “Because we were creating an entire album, there was so much more space to explore and expand,” Fuller adds. “It’s still undoubtedly that Heavy Heavy sound, but now we have all these other rooms to play around in.”For One Of A Kind’s lead single, The Heavy Heavy chose a sun-drenched and sing-along-ready number that serves as an auspicious bridge to the band’s new era. The last song written for the album, “Happiness” bends toward the lush psych-pop of Life and Life Only while introducing a new level of visceral intensity. “We felt we needed a song that had that summery, flowery feel of the EP, and somehow at the last minute we were able to pull magic out of thin air,” Fuller recalls. A fast fan favorite at their live shows, “Happiness” channels a bold determination to break free from loneliness and stagnation, ultimately providing an automatic mood lift thanks to The Heavy Heavy’s resplendent melodies and signature multi-part harmonies.Kicking off with a majestic bang, One Of A Kind opens on the rolling drumbeats and walloping riffs of its title track—a feverishly chanted anthem whose lyrics transform the listener into the protagonist of their own impossibly glamorous movie (e.g., “You’re getting down/You’re keeping on/You look the best/You’re all night howling”). Graced with a breathtaking vocal performance from Fuller (a classically trained singer), “One Of A Kind” quickly set the tone for the album’s larger-than-life vitality. “Something about the primal nature of that song inspired us to keep making songs that feel quite big and powerful,” says Turner. Later, on “Because You’re Mine,” The Heavy Heavy sustain that feel-good spirit and share a carefree love song lit up in slinky grooves and hallucinatory lyrics depicting what Fuller refers to as “the psychedelic daydream of a wandering nomad type—someone who goes wherever the wind takes them.” As One Of A Kind floats along, The Heavy Heavy endlessly push into previously uncharted sonic terrain, tapping into such unexpected influences as mid-’90s big beat on the bass-driven and gorgeously hazy “Miracle Sun.” “It’s a song with a lot of attitude to it—sort of our way of telling the world, ‘We’re living the way we want to live, and it doesn’t matter if you don’t understand,’” says Turner. Meanwhile, on “Feel,” the band merges the mesmerizing grooves of Madchester-era Britpop with a bit of idiosyncratic poetry (“I am a freeloader love junkie/A real heavy cannonball and I’m hungry…I stand between the sun, between the stone/I feel it in my fingers, feel it in my bones”). And on “Wild Emotion,” One Of A Kind offers up a country-infused serenade laced with galloping rhythms and twangy guitar tones partly inspired by the work of Dire Straits frontman Mark Knopfler. “That’s probably the most emotional song on the album,” Turner points out. “It’s meant to have a reassuring message, but at its center is the story of a woman who’s gone through a heartbreak and can’t find her way out of feeling hopeless and distraught.” After journeying through a whirlwind of sounds and textures—the hypnotic Mellotron of “Lemonade,” the frenetic psych-rock organ and skyscraping vocals of “Dirt,” the earthy acoustic guitar and sweetly playful harmonies of “Lovestruck”—One Of A Kind lands at the reverb-soaked splendor of its closing track, “Salina.” Named for a sparsely populated volcanic island off the coast of Sicily (an otherworldly spot Fuller and Turner visited on vacation), the slow-building epic unfolds in so many exquisitely strange sonic details: moody cello lines, thundering percussion, a spellbinding pedal-steel part simultaneously played by two separate guest musicians. “‘Salina’ was one of those moments where we let ourselves get experimental with the production and create a whole ocean of sound,” says Fuller. “We knew we had to put it at the end and let the reverb ring out in those final seconds—almost as if we’re leaving the album hanging in the air.”Formed in 2019, The Heavy Heavy emerged from a potent alchemy of their eclectic sensibilities. Hailing from the small town of Malvern (a stretch of the English countryside he describes as “a beautiful place full of hippies and longhaired people”), Turner took up guitar in his early teens and later played in a series of psychedelic/surf-rock bands, while Fuller’s extensive background includes performing at Montreux Jazz Festival as a teenager and acting in the London theater. As they moved forward with a mission of “making music that sounds like our favorite records ever” (including everything from Peter Green-era Fleetwood Mac to folk-blues act Delaney &amp; Bonnie to Fleet Foxes), the duo dreamed up a batch of songs in a London flat and self-released an early version of Life and Life Only in late 2020, eventually catching the attention of ATO Records and signing with the U.S.-based label in 2022. Fueled in part by the breakout success of “Miles and Miles” (their ATO debut single), The Heavy Heavy’s five-piece live band soon began playing bigger and bigger venues and taking the stage at leading festivals like Bonnaroo, Boston Calling, and Newport Folk Festival, in addition to performing on “Jimmy Kimmel Live!,” “The Late Show With Stephen Colbert,” and “CBS Saturday Morning” and scoring major syncs with the likes of Nissan and Netflix’s “Outer Banks.”Because of the rapturous response to their debut EP, The Heavy Heavy found themselves in an unfamiliar headspace when it came to the creation of One Of A Kind. “With the EP we were making songs as a way to soundtrack our own lives, but now it’s a different beast—it’s no longer theoretical, which gives everything more weight,” says Turner. But in the end, the band discovered an essential touchstone in the connection they’ve forged with their fans over the last two years. “Not too long ago, a woman came up to us at a show and told us she was getting a tattoo of one of our lyrics to remind herself to keep pushing on and keep chasing her dreams,” Fuller says. “Moments like that always remind us that as long as we keep making what feels good, chances are it’s going to make other people feel good too. I hope this album feels like a great big party to everyone, and I hope it inspires them to live their lives however they want.”

The Heavy Heavy

Rock n&#39; Roll band coming out of New York City

Telescreens

&#34;What happens when a doctor, a tech guy, an investment banker and a loan shark are all put into one band? ...Some pretty funky shit. Take Your Shoes Off (TYSO) is known across NY and NJ for changing lives and throwing the best, cash blasting shows around, playing covers spanning from the 60&#39;s to today&#39;s top 40&#39;s.&#34;Take Your Shoes Off was founded in March of 2018 when Rafi, Mikey, Paul and John (not pictured) moved into an East Village apartment together. One night they were out at The Red Lion, staring up at the band blasting beautiful cover tunes in the faces of the inebreated, post-college crowd. The three of them looked at one another and thought... how sick would it be if we could one day do this? One rough morning and a quick Google search later, they landed at Rivington Music Rehearsal Studios. They began practicing and eventually formalized the band with a name stolen from the lyrics of the song &#34;Sex&#34; by The 1975 - Take Your Shoes Off was born. Within a week they had their first gig at the Parkside Lounge. The music and energetic crowd at Parkside set them up for success and within just 2 months they were on stage in front of a sold out crowd at The Red Lion, the very venue where they had fantasized of playing a few weeks prior. Take Your Shoes Off has thrived ever since. With three singles released on Spotify and nearly 100 shows played, TYSO has become a staple of many Manhattanites and has touched the hearts of people all around the world.

Take Your Shoes Off

Martin Sexton tours in support the 25th anniversary of Live Wide Open - the critically-acclaimed double vinyl live album. The show will include these fan-favorites as well as some new material and surprise covers.“The real thing, people” —Billboard“Soul-marinated voice” —Rolling Stone“Mr. Sexton as an impassioned performer can bring women and men to tears when they see him live” —Wall Street Journal“The best live performer I’ve ever seen.” —John Mayer“Master of dynamics, reducing a room to silence with his blustering baritone, then teasing that silence with a fluttering falsetto.&#34;  —Acoustic Guitar

Martin Sexton Live Wide Open Tour 2026

Pet Sounds Live is the premier Beach Boys album experience celebrating Brian Wilson’s iconic masterpiece that altered the course of rock &amp; roll.Pet Sound Live transports you back in time inside the studio and behind the glass as you experience the creation of some of the greatest and most beloved music in rock &amp; roll history performed right before your eyes and ears.This is far more than a tribute and much more than just a band. Pet Sounds Live is rock &amp; roll history come to life on stage like no other show before.In addition to the complete Pet Sounds album, the show also features many other Beach Boys classics like; “California Girls”, “Don’t Worry, Baby”, “I Get Around”, “Help Me, Rhonda”, “In My Room”, “Surfin’ USA”, “Do It Again” and the legendary pocket symphony, “Good Vibrations”among others.Relive the magic of Pet Sounds through live music, narration and visual multi-media with fascinating historical facts all through the lens of Brian Wilson and The Beach Boys’ masterpiece, PET SOUNDS!Experience the iconic masterpiece album LIVE in its entirety along with all of The Beach Boys greatest hits and Good Vibrations coming soon to a venue near you!

The Music of the Beach Boys Featuring Pet Sounds LIVE!

The HEAVY TRAFFIC BAND  was formed this spring to celebrate the timeless  music of STEVIE WINWOOD and his band TRAFFIC. The band explores, with an original twist, classics tunes  from the TRAFFIC catalog as well as several Winwood solo tracks . Not just a &#34;cover band&#34; but a creative interpretation by seasoned musicians. The band  includes east end musicians DAN KOONTZ, JOE LAURO, FRED GILDE,  ALEX SARKIS, and JULIE BLUESTONE  and features guitarist/vocalist  CHRIS WIEDEMANN.  HEAVY TRAFFIC is proud to be performing its FIRST EVER SHOW at the Talkhouse!

Heavy Traffic Band

Hailing from Wilmington, North Carolina, Fudge aims to combine driving rock guitars with melodic and explosive choruses. Releasing their debut EP &#34;Kicking Around&#34; in late 2024, Fudge has been growing a loyal fan base for putting on exciting live shows.Fudge recently released &#34;Interstate&#34;. Interstate is an anthemic 90s inspired tune about hating your day job. Combining compelling songwriting with driving rock based guitars, Interstate is the perfect tune for a long drive or winding down after a busy day.

Industry Night w/ Fudge

<h1>Gypsy Angel Row is a dynamic 9-piece band, featuring The Mystery Horns, performing the very best of Bruce Springsteen and The E Street Band</h1>

Gypsy Angel Row Best of Bruce Springsteen

Middle Aged Dad Jam Band is comedy legends Ken Marino &amp; David Wain along with a revolving group of other dads &amp; friends, playing the best music from the 60s, 70s and 80s. Over the past several years, their infectious blend of great music and laughs has blown up on YouTube and in live shows across the country. &#64;madjamband / <a href="http://madjb.com/" target="_blank" rel="noopener noreferrer">madjb.com</a>

Middle Aged Dad Jam Band

Meet & Greet- GA Ticket plus M&G

Balancing folk songwriting, rock ‘n’ roll energy, raw instrumentation, and sonic wanderlust, the Seattle-based musicians comprising Richy Mitch &amp; The Coal Miners--Mitch Cutts, Nic Haughn, and Jakob Ervin-- draw inspiration from the friendship between them. What began as a high school passion project in Colorado Springs has quietly translated to billions of streams and packed crowds. “We were always friends who hung out and joked around with each other, but music allowed us to connect emotionally and share an outlet,” observes Mitch. “This is a safe place where we can all meet, bring ideas to one another, and create something out of nothing.” Growing up in Colorado Springs, their friendship preceded the band. Throughout high school, Mitch and Nic participated in as many projects together as possible. They signed up for random sports teams, launched YouTube channels, went on hiking trips, shot home movies, and eventually decided to record an album of their own. Their collective tastes spanned diverse influences, ranging from Vampire Weekend, Fleet Foxes, Gregory Alan Isakov, Peach Pit, and Bon Iver to DIIV, Rainbow Kitten Surprise, Cage The Elephant, and Portugal the Man. In 2017, the guys cut their self-titled debut, RMCM, recorded in a closet under a staircase at Nic’s house. Even though the members attended separate colleges (with Nic at the Air Force Academy, Mitch studying engineering in Denver, and Jakob going to school in New York and England), they continued to write and record remotely and on breaks. “Music was going to be a way for us to stay in touch throughout college,” Mitch notes. Moving the studio to Jakob’s house, Richy Mitch &amp; The Coal Miners unveiled Solstice in 2018 followed by Subliming a year later. In between, Nic, Mitch, and Jakob relocated to Montana where they split their time between day jobs, music, and the ski slopes. Unexpectedly, the one- minute and 27-second intro to “Evergreen” caught fire on TikTok. The outdoor community embraced the track first, while a slew of major co-signs followed. This enthusiasm about the song carried over to DSPs as “Evergreen” has generated over half a billion Spotify streams and the group has averaged north of 20 million monthly listeners on the platform. It notably has cracked the Billboard Hot 100, Hot Rock Songs Chart, and Hot Rock &amp; Alternative Songs Chart. From its inception, “Evergreen” always meant a lot to Mitch. “I had done this 300-mile backpack through Colorado when I was 16-years-old, and that’s when I wrote most of the first album,” Mitch recalls. “At that point, the song was about hiking. You’re battling against yourself to keep walking and stepping. It was a cool way to start the album, because you’re looking forward and you have to move your feet. Now, it means stepping into music, making a record with friends, and taking a chance to release it into the world. There’s a lot of power in getting a collective of people together to create something.” Jakob agrees, “I look at it as a stepping stone to get our feet in the door of the industry, drop everything else, and work on this full-time.” “Evergreen” knocked down that door once and for all. Among many highlights, “Lake Missoula” also piled up 100 million Spotify streams and counting, while “Wet Socks” and “Subliming” generated tens of millions of streams. They launched their first proper headline tour in 2023, graced the bills of festivals such as Lollapalooza, Under The Big Sky and Hinterland, collaborated with Mt. Joy and Caamp on new versions of Lake Missoula and Evergreen respectively , and remained prolific with “Signal Sender,” “Careful,” “Northstar,&#39; and “Sierra Vista.” Maintaining this momentum, they cap off 2024 with their biggest tour yet, playing to sold out crowds coast to coast. No matter what happens next, the friendship and the music go hand-in-hand for Richy Mitch &amp; The Coal Miners. “We’ve been able to overcome a lot, and the band is a testament to that,” Mitch leaves off. “We started this as kids. Keeping it going through college, jobs, and moving around was a huge accomplishment for us. It’s kind of mind-blowing that we’ve turned this into a career in the last year. For me, it’s symbolic of being able to work together and write honest music with a lot of vulnerability.”

Richy Mitch & The Coal Miners

Bogmen

<div>Stagefright brings a very special performance that features an incredible collective of musicians reimagining the music, energy, and collaborative magic of The Last Waltz and The Band. These tribute performances have become beloved events at Union Pool in Brooklyn, NY and venues across the country. Expect timeless songs, rotating performers, a full horn section and an ode to the greatest concert film ever made.</div>

The Last Waltz presented by Stagefright

Early bird GA

For the first time in almost a decade, brothers Taylor and Griffin Goldsmith grace the cover of a Dawes record. It’s just the two of them this time, and as such, Oh Brother marks a distinctive new chapter for the California rock band — one that is both introspective and accessible, all while maintaining their beloved sense of sincerity. After the amicable departure of two bandmates last year, Taylor realized that the group’s natural evolution was nothing to hide from Dawes’ dedicated fans. He likens it to looking back on The Rolling Stones’ career — eras with Brian Jones versus Ronnie Wood — or Dire Straits’ lineup with and without brothers Mark and David Knopfler together, or The Cure’s fluctuating cast encircling Robert Smith. People change. Music evolves. But a band is still a band. “We’re not shying away from this information, because then it just seems cowardly or something,” Taylor says. “Rather than try to hide something, let’s celebrate it. Let’s call our record Oh Brother.” The title of Dawes’ ninth LP serves as a sort of double entendre too, an exasperated sigh acknowledging that change can still be challenging. “We’re gonna miss our dudes,” he says. “They’re still brothers.” Still, Oh Brother steers Dawes decidedly forward, honoring 15 years of Taylor and Griffin’s musical relationship, as well as the next era of their band. That spirit informed much of the album’s writing and recording, too. Each of the nine songs began with just Taylor on guitar and vocals and Griffin on drums. They initially tracked each one live together, before adding in additional instrumentation and collaborating with touring guitarist Trevor Menear in the studio. Additionally, Oh Brother is the first record the brothers have co-produced, working alongside longtime friend Mike Viola. Lyrically, the songs on Oh Brother encompass personal moments in their lives and larger ideas of what consistency and stability mean. “House Parties,” a musical sibling to 2015’s “All Your Favorite Bands,” came toward the end of the recording process for 2022’s Misadventures of Doomscroller. Shortly thereafter, “The Game” and “Surprise!” — a six-and-a-half-minute not-quite-center, centerpiece about life not going as expected — came as Taylor was settling into fatherhood. Elsewhere, “King of the Never-Wills” subtly addresses addiction and “Mister Los Angeles” serves as a sardonically satirical commentary on their hometown. At this point in the Goldsmiths’ career, Dawes has cemented itself as one of the most earnest, no-bullshit musical acts out there. To some degree, Taylor acquiesces, “I definitely choose to believe that definitive work can always be out in front of us instead of behind us, but it’s also a fact that we have established a personality.” They’re a band that can move seamlessly between folk rock, piano ballads, and sprawling jams while maintaining both an immediately recognizable sound and a freedom from expectations. Across its heartfelt songs — sometimes silly and sometimes serious, and all filled with sing-along choruses, deeply felt poetic lyrics, and sterling musicianship — Oh Brother highlights the band’s independence. Even as the Goldsmith brothers navigate new chapters in their personal and professional lives, they remain creative, ambitious, and inspired. “All you can really do is find out what are the most essential, truest, and idiosyncratic parts of yourself,” Taylor says. “And I like the fact that Griffin and I are kind of clinging to each other and holding on to each other more than we ever have. We’re grateful for each other in a new way. But we’ve also been through a lot. “It feels like we’re reborn in a way, and I mean that with so, so much love and gratitude to everyone we’ve ever played with before! This is what it means to be a lifer, to have iterations. It means having phases and chapters, and this is a very clear delineation as to the beginning of a new one. So Oh Brother feels like a ninth record, but it also feels like a first record.”

Dawes Duo

with members of different east end bands like LHT, Local Motion, and Landline, as well as the talkhouse legend Mike Mazz, Lou Dog brings Sublime to the East End of Long Island. Come sing along to all your favorite Sublime songs!

Industry Night w/ Lou Dog -Sublime Tribute Band

On September 3rd, 1977, The Grateful Dead headlined one of the largest and most musically successful concerts of all time at Raceway Park in Englishtown, NJ. In addition to the Grateful Dead, the show also featured the Dead family’s New Riders of the Purple Sage and the good-time, southern rock of The Marshall Tucker Band. This tribute extravaganza will feature selections from each band’s sets that day along with other deep cuts and original music inspired these three bands.​As Michael Falzarano tells the tale!Everywhere I toured with The New Riders of the Purple Sage for the past 20 years someone would come up to me at almost every show and say “I saw you guys at Englishtown.” Long story short, it seemed like a good idea to put a band together and pay tribute to that legendary September 3, 1977 show. With that, The Englishtown Project was born. The intention was to play That one show has turned into upwards of 150 shows. Go figure!​The Englishtown Project ​Michael FalzaranoGuitar/Vocals: After decades-long stints with Hot Tuna and The New Riders of the Purple Sage, Michael has earned nothing less than iconic status as one of the most authentic figures on the blues / jam band scene. Over the years, Michael’s evocative singing, intuitive guitar playing and songwriting skills have earned him a large and loyal following worldwide.​Tom Circosta (ZenTricksters)Guitar/Vocals: Tom is one of the NY area’s most versatile guitarists and also happens to be a leading disciple of Bob Weir, arguably the best and most unique rhythm guitarist in rock history. In addition to Zen Tricksters, Tom also plays with the unique Dead On Live and Jam Stampede.Kevin Griffin (Space Bandits)Pedal Steel / Guitar / Vocals: Kevin has made a name for himself playing pedal steel and guitar around the Tri-State area for many years. When not on board with The Englishtown Project, Kevin can be seen with Space Bandits and The Electrix,​Klyph Black (Zen Tricksters)Bass/Vocals: In Klyph, along with Tom and Dave, the Englishtown Project is fortunate to have 3/5ths of the classic lineup of Zen Tricksters, the best and longest running Grateful Dead-centric band in the Northeast. Not only is Klyph an outstanding bassist, he is also one of the most accomplished musicians on the Jam Band scene today.Russell Stedman (Jeff Mattson Band/Zen Tricksters)Drums: Fans of the Grateful Dead know what a great drummer Russell is. Having been on the Jam Band scene for quite a long time, he’s a much sought after drummer who has played in The Jeff Mattson Band and The Zen Tricksters. Now you can see him with The Englishtown Project.​​When scheduling allows most shows include singers Clare Maloney or Annie Mac.Clare MaloneyVocals: New York City-based vocalist Clare Maloney has been hailed for her &#34;golden voice of immense range and depth&#34; and has delighted audiences around the world with her thoughtful artistry, polished singing and heartfelt performances. Raised on Rock &amp; Roll and trained in Classical Music and Opera,.​Annie MacVocals/flute/percussionAnnie is a New York–based multi-instrumentalist and vocalist with roots in classical flute and a deep love for rock, soul, and improvisational music. She’s known for her versatility and feel, bringing an expressive, dynamic energy to the stage—whether locking into a groove, layering textures, or taking the lead. A familiar face in the Dead scene, she’s played with bands like The Electrix and has brought her performance overseas, most recently to Japan.​​The Englishtown Project has many master keyboard players at the ready when scheduling allows:Mookie Siegel (Phil &amp; Friends), Scott Guberman (Phil Lesh Family Band/Gilmore Project), Mike Katzman (Friends of the Brothers/The Electrix), Mark Mercier (Max Creek), Scott Chasolen (The Machine), Jordan Giangreco, (Zach Nugent/Mystic Dead), John Pittas (Dead on Live), Matt Iselin (Half Step) or Mike Borowski (Splintered Sunlight). To name a few.​When we’re doing double drums: Dave Diamond (Zen Tricksters)Drums: Most fans of the Grateful Dead are familiar with Dave’s drumming talents, but more and more are coming to realize that Dave is a multi-talented musician to be reckoned with. In addition to his long tenure with Zen Tricksters, Dave drums for the excellent alt-rock band Assembly of Dust and his own eclectic Dave Diamond Band.

The Englishtown Project

Love always. Love forever. Love until the end of time. The Great Cosmic Playlist is testimony to the endurance of an emotion that is easy to conjure but hard to maintain. But for Larry Campbell and Teresa Williams, who have been coupled consciously since 1986, love is more than a pop song; they are the bards of the long term committed relationship.“As soon as I saw her, I knew she was the one,” says Larry. That epiphany occurred in a Manhattan rehearsal studio. Teresa, an actress and vocalist not long removed from Peckerwood Point, TN, had been pulled into a singing contest. Larry, the New York City native with a burgeoning reputation for his virtuosity on any instrument with strings, was brought in to play pedal steel guitar. “For me, it was love at first note,” she says. Together they went on to capture a greater prize.From the beginning, they shared a musical sensibility; Larry courted her with a Louvin Brothers mix tape. The more they played together, the deeper it grew. Whether it was Larry joining in on the music with Teresa’s family and neighbors under the tree where they were married (“Larry melded perfectly,” says Teresa), or Teresa belting bluegrass songs on the bus with Larry and the rest of Bob Dylan’s band as they traveled between gigs (“It was very fulfilling,” recalls Larry), the couple’s rapport grew richer. “I found a connection I had never experienced before,” says Larry. When Dylan’s manager, Jeff Kramer, suggested that they make hay with this natural duo, he expressed a thought that had been already brewing in Larry’s head. But Larry wasn’t ready. “I had to start seeing myself as a singer and songwriter before I could take that step.” The couple took another decade, much spent playing with Levon Helm and his band at his legendary Midnight Rambles in Woodstock, before Larry and Teresa elevated their rapport to the next level.All This Time is the couple’s fourth album since taking that leap, following Larry Campbell and Teresa Williams (2015), Contraband Love (2017), and Live at Levon’s (2023). All This Time , says Larry, “feels more intuitive to me than the earlier records, less experimental, evidence that we’ve grown more aware of who we are and what we have to offer.” What they offer, evidently, is an intensely romantic album. Songs like Desert Island Dreams, Ride With Me, The Way You Make Me Feel, and I Love You fairly burst with the joy of love, while others recognize love’s humbling power. “All I want, all I need, is right in front of me,” testifies one song. “I still tremble at your name,” says another.It’s not hard to recognize All This Time as a post-Covid album. Larry and Teresa had a hard pandemic. Before Teresa left for remote Tennessee to nurse her father through his last illness, Larry came down with a double-barreled blast of Covid, and Teresa was quarantined. Isolated in Woodstock before treatments had been developed, Larry struggled. “Teresa pulled me through,” he says. “I held his hand over the phone,” she offers. Teresa says Larry’s lyrics often help her decipher what’s on his mind, but it doesn’t always take a codebreaker to recognize the songs on this album as love letters sprouted in a harsh spring. “When you told me that you need me/ After all we’ve been through/ I still think about the love we have to give/ I think about you.”

Larry Campbell & Teresa Williams

Simmerr is a seven-piece band that combines jazz and soul influences with a more modern indie-pop feel for an “addictive sound.” At its core, simmerr is a manifestation of the bond between two best friends, bandleaders James Acre (vocals, keys) and Jairo Campo (vocals, guitar). They lead simmerr with their lighthearted and joyful onstage presence, but dead-set musicality. It’s the perfect combination to bring a smile to the faces of casual and serious music fans alike.

Simmerr

The East Coast’s Premiere Cover Band. Playing all the Throwbacks and Top Hits from your favorite artists.

Nicolls Road

West 22nd is an Austin-based rock band formed by friends who met at the University of Texas with a singular mission: become the next great rock band. They call their sound carousel rock, a style that spins through genre, emotion, and energy without losing its center. The term captures the tension at the heart of their music: controlled chaos that is sometimes dizzying, sometimes grounding, and always unforgettable. After a breakout EP and a debut album that have amassed over 75 million streams worldwide, West 22nd made one thing clear - they are not here to blend in. Their lyrics are autobiographical, their shows are electric, and their ambition is unmistakable. They have taken the stage at ACL, sold out numerous dates on their debut headlining tour, and built a fanbase that shouts every word back at them. West 22nd is not chasing nostalgia or trends. They are writing what comes next. And if you have ever felt a chorus hit at exactly the right moment, you already understand.

West 22nd: Places To Be

GA Presales

<div>For over a decade, RUBIX KUBE has taken the universe by storm as the most original ‘80s tribute band of all time! Its one-of-a-kind, ever-evolving and interactive “The EIGHTIES STRIKE BACK Show” captivates public &amp; private audiences of all ages. From their NYC headquarters, to our U.S. troops overseas, The KUBE rocks for the coolest fans in the most prestigious venues across the globe . . and galaxies far, far away. More than just a cover band, “The EIGHTIES STRIKE BACK Show” is like the rad lovechild of a Rock concert and a Broadway musical – from a honeymoon down Electric Avenue!RUBIX KUBE is led by a male &amp; female dynamic duo of karma chameleons, able to transform in the-blink-of-an-eye into any of your favorite ‘80s icons, personifying in sight and sound. It’s like Madonna, Michael Jackson, Cher, Prince, Devo, Bon Jovi, Boy George, Paula Abdul, Guns N’ Roses and more teleport right before your eyes on the same stage, in one concert! The band dazzles with some of the most talented &amp; versatile musicians in the entertainment business, including Steve Brown &amp; P.J. Farley of the million-selling band TRIXTER. All are decked out in vibrant &amp; vintage threads and with enough hairspray to take down Freddy Krueger, The Terminator, Beetlejuice and all The Gremlins at once. Together, The KUBE is able to crank out ’80s Pop, Rock, New Wave, Dance and Hair Metal hits, and perform them just like the originals – yet with their own gnarly twist.So well-known for their world-class musicianship, RUBIX KUBE is often joined on stage by ’80s legends themselves. Rick Springfield,  Dee Snider of (Twisted Sister), Tiffany, Debbie Gibson, Night Ranger, and Dennis DeYoung (of STYX) are just some of The KUBE’s impressive collaborators. To boot, The KUBE is the only ’80s band that can honestly claim to have played with Bret Michaels (of Poison), Mike Score (of A Flock Of Seagulls), Colin Hay (of Men At Work), MC Hammer, Tone Loc, Taylor Dayne, and Bonnie Tyler.Talkshow star Kelly Ripa exclusively praises RUBIX KUBE as “Amazing. You definitely have to check it out, it’s so much fun. It’s like going back to The Eighties!” As the name suggests, they’re also the world’s only authorized &amp; licensed band of the most iconic puzzle toy of the ‘80s, the official Rubik’s Cube.Often imitated, never duplicated, RUBIX KUBE throws the most awesome ‘80s party there is and sends you on a time-travel experience like no other. So jump in the DeLorean and blast to “The EIGHTIES STRIKE BACK Show”!!</div>

Rubix Kube

Cuban music has a new global ambassador: Cimafunk. With a name and image that pays tribute to the Cimarrons – Cubans of African descent that resisted slavery – and music and showmanship that re-embodies funk legends from the last century, the medical-school student turned funk artist has developed into a musical force crafting the sonic future of the island and a global, cultural phenomenon that unites and celebrates blackness across borders, oceans and languages. With his unmistakable AfroCuban sounds, no holds barred live show and multiple Grammy-nominations, Cimafunk is redefining what the planet understands as Cuban music. Cimafunk’s debut album <a href="https://open.spotify.com/album/11qB7I59a0o0p2lNdTkwZC?si&#61;o14OSc_5S3mYeI9ZTwCmzA">“Terapia”</a> (2018), with its groundbreaking #1 single <a href="https://open.spotify.com/track/7MEy790axl2dhJ962bJz4v?si&#61;2e3d15ebb1f94012">“Me Voy”</a> – followed by his breakout performance at SXSW 2019 and widely praised <a href="https://www.npr.org/2020/02/28/809196114/cimafunk-tiny-desk-concert">NPR Tiny Desk Concert</a>, started a movement of converting millions of people to the religion of groove, one live show at a time. The AfroCuban rockstar has moved the spotlight well beyond the Buena Vista Social Club, salsa and reggaeton.From a local sensation on Havana’s small alternative music scene to global success, Cimafunk’s ascent is as dizzying as an F1 race. Performing with La Tribu (The Tribe), his 9-piece band from Havana, Cimafunk has electrified global audiences on massive stages and worldwide temples of music, making a name for himself as one of the great showmen of today. From New Orleans Jazz Festival and Lollapalooza Chile to becoming the first Cuban-born artist to play Coachella, this undisputed star of Afro-Latin music has earned the adoration of musical icons such as Argentine Fito Páez, who has hailed him as &#34;one of the lights of the continent&#39;s future,” the Godfather of Funk George Clinton, who refers to him as “the next one,” and Chucho Valdés, who credits Cimafunk with masterfully and organically blending “AfroCuban with African American, converting this into a new school that until now I haven’t heard done.”Cimafunk’s distinctive musical fusion continued to grow in its artistry with both the release of his second album  &#34;El Alimento” (‘The Nourishment ) -which was met with an abundance of critical praise that included Best Albums of the Year lists of Rolling Stone, NPR and more… as well as an equal volume of glowing reviews for his unrivaled live shows, which quickly made him one of the most in-demand festival performers. Cimafunk has collaborated on records and shared the stage with the likes of Alejandro Sanz, CeeLo Green, ChocQuibTown, Chucho Valdés, Fito Páez, Fonseca, Fred Wesley, Galactic, George Clinton, Jon Batiste, Juanes, Leoni Torres, Lettuce, Lupe Fiasco, Preservation Hall,, Omar Portuondo, Orquesta Aragón, Robert Glasper, String Cheese Incident, The Soul Rebels and Trombone Shorty. Susan Sarandon, Ron Delsner and other personalities have become superfans, often seen side-stage lost in the groove, and the likes of Paul McCartney and more have come out to check out the AfroCuban sensation.  After the success of El Alimento, Cimafunk delves even further into his exploration of the intersections between funk and the sounds of the continent and gives us Pa&#39; Tu Cuerpa (Mala Cabeza Records), his most polished and mature production to date, on August 23rd, 2024.- - - -“Cimafunk’s masterful album is the soundtrack for a euphoric soul train, serving up funkadelic grooves, kinetically punctuated by Cuban rhythms [and] stellar guests… with the joy of being alive in its every note.” – NPR  “a frenetic joy ride of freewheeling blasts of percussive funk intercut with pumped-up classic Cuban riffs…  Cimafunk is engaging in a cultural mixing that celebrates a kind of Latin American hybridity … with mind-bending results. ‘El Alimento’ has thoroughly transformed him into an international funk champion” -NY Times “CIMAFUNK is A Must-See Act… … Cimafunk is Creating The New Sound Of Cuba &amp; Redefining Latin Alternative… with an energetic intensity that has drawn comparisons to James Brown… A funkadelic force to be reckoned with… Cimafunk has exploded on a global scale. The 2x GRAMMY nominee is now a trailblazing creator whose music unites Afro-Cuban rhythms and African American funk”- GRAMMY.com  “Cimafunk [has] one of the most exciting live shows… perpetual showmanship and natural ability to hear music in everything is Cimafunk’s signature… squarely in conversation with American funk, rap, and soul, drawing out a connection that’s always existed between Black art … pulling listeners into Cimafunk’s magnetic orbit… crisscrossing the globe, winning fans over with his electric stage presence” – ROLLING STONE

Cimafunk

In 2015 six lifelong musicians came from all across the country (well, just San Francisco and New York, but whatever) to form a band that is too hot for the police, fireman, and many many others. Rated Fresh throw down harder than your typical party band with a setlist you won&#39;t hear anywhere else, including Top 40 mashups, 90s throwbacks, 60s and 70s classics, and musicianship beyond their years.

Rated Fresh

If you would like to donate to Michael O&#39;Rourke please click link below:<a href="https://www.gofundme.com/f/support-michael-orourkes-cancer-battle?attribution_id&#61;sl:2d965d32-e09f-48ca-9451-437029e5e439&amp;lang&#61;en_US&amp;ts&#61;1780162789&amp;utm_campaign&#61;man_sharesheet_dash&amp;utm_content&#61;amp17_te-amp20_t1&amp;utm_medium&#61;customer&amp;utm_source&#61;copy_link">Fundraiser by Huntley Garriott : Support Michael O&#39;Rourke&#39;s Cancer Battle</a>For over 40&#43; years, two-time GRAMMY award winning, 8th generation Louisiana Creole, Terrance Simien (DOB, September 3, 1965), has been shattering the myths and often misinformation, about what his traditional Zydeco roots music is – and is not. It most certainly is Black American roots music and it is music born of the African American/Black and mixed race French speaking Creoles of South Louisiana. This is the truth and these are the facts.Simien leads a highly skilled Zydeco Experience band with long time band member, close friend and creative collaborator: Danny Williams (30&#43; years, two-GRAMMY award winning), keyboards, vocals; Stan Chambers (15&#43; years, GRAMMY award winning), bass, vocals; Ian Molinaro – Thompson, drums; Michael Christie on trumpet and Noah Boshra, saxophone. Ian MT is a Berklee College of Music graduate and Mike a Shenandoah University graduate ( SU is in the top 10% of music programs in the country). Another Berklee College grad, Ethan Santos, trombone, also lends his skills to us on tour at times.  Noah Boshran, joining us in 2024, is a Tulane graduate.Simien has become one of the most respected and accomplished artists in American roots music today. He and his band mates have performed nearly 10,000 concerts, toured millions of miles to over 45 countries during their eventful career. Their music has been placed in multiple major studio theatre release films, including a Disney animated film, TV shows and radio commercials. They’ve shared studio and stage with legends the Meters, Art Neville, Los Lobos, Marcia Ball, the late Robert Palmer and Dave Matthews Band to name a few. They’ve been cultural ambassadors for their country since the mid 1980’s as part of the U.S,. State Department ongoing cultural diplomacy tours. They performed in Ukraine twice (2012, 2015) with the U.S. Embassy in Kiev and toured Russia for two weeks as well in 2015.

TALKHOUSE 39th BIRTHDAY! A portion of monies made will go to help Michael O'Rourke's Cancer Battle see link below if you would like to donate.

Talkhouse 39th Birthday! Terrance Simien, Nancy Atlas, Inda Eaton & More

GA / DOS $50.00

NMA started by brother Luther and Cody Dickinson in 1996 as a loose collective ofmusicians from their North Mississippi home inspired by their father Jim Dickinson aswell as neighbors and musical elders of their community; RLBurnside, JuniorKimbrough, Otha Turner and Fred McDowell.Luther’s first national tour was the RL Burnside Ass Pocket of Whiskey tour in 1997,selling out shows in the US and Canada. “Kenny Brown hired me to tour with RL andCedric and showed me the ropes. That experience blew my mind. Cody and I havebeen on the road ever since.”NMA began touring in 1998 and over the years the touring lineup has included, Cedric,Duwayne and Garry Burnside, Chris Chew, Berry Oakley Jr, Oteil BurbruidgemandcurrentlyJoey Williams of the Blind Boys of Alabama and Ray Ray Hollowman, guitarplayer for Eminem and Nee-O.Since their debut album in 2000 and hitting the never ending road, they have shared thestage with countless legends; Phil Lesh, Mavis Staples, Robert Plant, John Hiatt, theAllman Brothers, The Black Crowes, Buddy Guy, Snoop Dogg, and Jon Spencer toname a few, while earning multiple grammy nominations for their experimental albumsof they like to call Modern Mississippi Music.

North Mississippi Allstars

Black &amp; Yellow is the collaboration of local Hamptons frontman Ray Ramos and renown drummer Julian Edmond, both formerly of the band Hello Brooklyn. The band&#39;s lineup also features NYC-based singer Jason Karnell, who will co-front the band with Ramos. Black&amp;Yellow promises to feature musical selections from the early days of Motown, dance and R&amp;B to hip-hop and chart topping hits today.

Black & Yellow

Industry Night w/ Black & Yellow

Get ready to unleash your inner 80s aficionado with the Cherry Bombs! This explosive tribute band is here to take you on a time-traveling journey back to the neon-soaked era of big hair, shoulder pads, and leg warmers. Whether you&#39;re looking to dance, sing along, or simply bask in the nostalgic glow of the 80s, the Cherry Bombs are the band to see.Formed in 2022, the Cherry Bombs were brought together after their fateful encounter at the annual Battle of the Fantasy Girl Bands held at the iconic Stephen Talkhouse. Their shared love for the music of the 80s and their electrifying performances catapulted them into the spotlight, capturing the hearts of audiences far and wide.Yuka Silvera, the grooving bassist, lays down the funky foundation that will keep your feet moving all night long. An exciting new addition to the band is the dynamic multi-sensory solo performer, Mila Tina on drums who will blow your mind.Leading the charge is the charismatic Lola Lama, whose captivating vocals can effortlessly transport you from power ballads to high-energy anthems. Vanessa Lynah’s sultry vocals adds the perfect touch. Adding a touch of je ne sais quoi is Nika Nesgoda, the band&#39;s cellist, whose strings soar through the mix, weaving a unique tapestry of sound.But the Cherry Bombs&#39; explosive performances wouldn&#39;t be complete without the multi-musician, Christopher Walsh who ignites the stage with his scorching guitar riffs, the young talented artist Matthew Brand on keyboards.Dust off your mixtapes, dig out your cassette player, and get ready to be transported back to a time when MTV ruled the airwaves and the 80s were in full swing. The Cherry Bombs are here to take you on a musical journey through the greatest hits of the decade, ensuring a night of unforgettable fun and infectious nostalgia. Get ready to rock out with the Cherry Bombs and experience the neon glow of shoulder pads, spandex, and Stiff Stuff like never before!The Cherry BombsMila Tina on Drums, Yuka Silvera on Bass, Nika Nesgoda on Cello, Lola Lama and Vanessa Lynah Lead Vocals, Christopher Walsh on guitars, Matthew Brand on Keyboards Follow Us: <a href="https://www.instagram.com/cherrybombsmusic/">CherryBombsMusic</a>

The Cherry Bombs

Grab a drink and get loose with your favorite NYC cover band. The Last Class is a group of young musicians who play crowd-favorites and sing-alongs all night long!

The Last Class

Nancy Atlas and her band of Journeymen have been dominating the East End Music scene or Long Island for quite some time. Known for her raw, live performances and stellar songwriting Nancy and her band, The Nancy Atlas Project, have opened for almost everyone under the sun. To name a few: Elvis Costello, Lucinda Williams, Toots and the Maytals, Jimmy Buffett, Crosby, Stills and Nash… the list goes on and on. The reason is simple. When people want a solid act to open their show and get the crowd warmed up, they call  Nancy and her boys because they know they will deliver. Every time. Nancy grew up with gypsy blood in Commack, NY. Eager to get the buck out of dodge she spent her entire college years abroad at both Cambridge University in England and Richmond College in London and Florence.  She majored in art history, fine art, drinking lots of wine and talking shit. There was a serious recession going on the year she graduated college so instead of becoming a mad advertising executive she walked down to Portabello Road, London, bought a guitar for 60 quid and never looked back. It was pouring buckets of English rain that day so they gave her a black plastic bag to cover her guitar as it didn’t come with a case. Nothing, it is said, can stop true desire. Nancy now lives in Montauk, New York with her husband Thomas and her two sons, Cash and Levon, and her daughter Tallulah. When she is not writing a song or on stage rocking out, she can be found clamming with her kids, surfing with her kids, walking with her kids, reading with her kids or <a href="http://nancyatlas.com/?page_id&#61;285">cartooning</a> for her kids. On rainy days she lazily traces tour maps of Europe with her right hand while sipping her beloved PG Tibs English Tea and smiling out into the East End Mist.<blockquote></blockquote>

Nancy Atlas

Renzo’s Fault respects the 90’s, good music, fun crowds and everyone that brings the energy. This fiercesome foursome spawned out of one of the most famous cover bands that played in New York, Europe and South America and now, Renzo’s Fault performs often in NYC’s highest energy venues such as Red Lion and Cutting Room. If you love to dance, if you love a party and if you love you some good 90’s music (with a touch of the more modern), you’ll blame Renzo the morning after seeing Renzo’s Fault.

Renzos Fault

Cowabunga, dudes!Cowabunga, dudes! The 21st century is sooo overrated, but you know what&#39;s ALL THAT? The SAVED BY THE 90s PARTY! Boo Ya! Hailing originally from New York City and now active all over the U.S., this party has tons of live 90s music from a totally fresh band (they&#39;re da bomb). Get ready for everything from Third Eye Blind to the Spice Girls, from The Backstreet Boys to The Beastie Boys. And after that, we&#39;re not leaving you hangin&#39;! As if! Get jiggy with the DJ spinning dope tunes all night. It&#39;s gonna be the raddest thing since Your Mom!

Saved by the 90's a party with the Bayside Tigers

&#34;With a decade of raucous and electrifying wedding/event gigs under their cute little belts, THE CHROMANTICS are seasoned dance floor experts who will keep you dancing &amp; screaming along and making out with friends &amp; strangers all night. Feel the love from this energetic NYC-based outfit as they bust out hits from all of your favorite eras with a full band featuring live horns and led by their ferocious front-woman Erin Willett (NBC’s The Voice). From Ain’t Too Proud To Beg and Proud Mary to Pony and Pink Pony club there’s something for everyone and everything for someone.&#34;

The Chromantics

On her tenth studio album, the masterful Trouble and Strife, Joan Osborne has issued a clarion call. With stunning vocals, a diverse range of sonics, and incisive lyrics, this deeply engaging collection of new original songs is her response to “the crazy, chaotic times we’re living in,” she says, and “a recognition of the important role music has to play in this moment. Music has a unique ability to re-energize people and allow us to continue to hang on to that sense of joy of being alive.” Since she broke through 25 years ago with the multi-platinum Relish and its touchstone mega-smash “One of Us,” the seven-time Grammy nominee has never played it safe. Osborne has followed her restless musical heart, exploring a diverse range of genres: pop rock, soul, R&amp;B, blues, roots rock, gospel, funk, and country – all of which can be heard on Trouble and Strife, along with the Western side of C&amp;W and a touch of glam and disco. “For a lot of the record, we were going for a ‘70s AM radio vibe,” says Osborne.  As for the lyrics, the songs “are the most political I’ve ever written,” she conveys of her first album of originals since 2014’s confessional Love and Hate.  Osborne also produced Trouble and Strife, primarily recorded in her basement studio in Brooklyn and released on the label she founded in 1991, Womanly Hips. Tackling serious subject matter in her writing while crafting music to “uplift,” Osborne assembled “a great live band” (including several musicians who played on her acclaimed last album, Songs of Bob Dylan): guitarists Jack Petruzzelli , Nels Cline, and Andrew Carillo, keyboardist Keith Cotton, bassist Richard Hammond,  and drummer Aaron Comess. For vocal harmonies, she enlisted exquisite vocalists Catherine Russell, Ada Dyer, Martha Redbone, and Audrey Martells, whom she’s “had the great privilege to work with over many years.”  The result is a Trojan horse of a record – music that is energizing, melodic, and hummable, with lyrics that call out the corrupt, the despicable, and the destructive. Roots-rockin’ opener “Take It Any Way I Can Get It” inspires with the mandate “I’m still survivin’/I got to be dancin’”, propelled by a joyous gospel-tinged vocal attack backed by Wurlitzer and Southern-style intertwined guitars that dare you to sit still.  She cowrote the funky “Never Get Tired (of Loving You)” with Richard Hammond and her partner Keith Cotton, propelled by Cotton’s Prophet 6 synth, for her teenaged daughter: a message of stability in an uncertain world. “That song has a serious subtext,” says Osborne, but its “cool, retro flavor hopefully makes it a joyful thing.” The gorgeous ballad “Whole Wide World” finds Osborne hitting impossibly high notes, its sound inspired by the Chi-Lites; its message “is about hanging on to hope and envisioning something better for the future.” Another early ‘70s sound infuses the super-catchy “Boy Dontcha Know”: Osborne’s purring vocals are surrounded by a Spiders from Mars-era piano and Big Star-esque Mando-guitar; its singalong lyrics look at gender nonconformity and the obstacles one faces when born female.  Abuse of power is the subject of two of the angriest songs on Trouble and Strife, with their infectious sound imbuing the songs a la a wolf in sheep’s clothing: the bluesy stomp “Hands Off,” punctuated by distinctive guitar riffs, denounces corrupt exploiters of people and the planet.  “That Was a Lie,” with scornful lyrics buffeted by buoyant pop rock, castigates “those camera-ready mouthpieces for corrupt officials,” according to Osborne. Texan Ana Maria Rea, whose family emigrated to America when she was a child, contributed spoken passages in her native tongue to the rhythmic “What’s That You Say.”  “She tells the story of her family coming from Mexico City, where her father had been kidnapped, to the U.S. and how difficult that was,” says Osborne. “Her message is ‘I’m not afraid,’ and her mission is to help other people who are in the same position she was in. Ana Maria is a shining light of a person.”Escape from a place where “there’s nothin’ left alive” drives Osborne to “Panama,” a showcase of her vocal range expressing gut-punch lyrics reminiscent of Dylan at his most vitriolic. But it is the Western-flavored title track that Osborne points to as the song most inspired by her “Dylanology” concerts that began in 2016 and led to her 2018 covers album,  “If you spend that intensive time living with his songs, I think it just rubs off on you,” Osborne admits. “’Trouble and Strife’ betrays the Dylan influence the most because of the odd characters coming in and out of these absurd situations (much like the ones we find ourselves in today).” Osborne’s years of experience as a seasoned road warrior are reflected throughout Trouble and Strife, the album. Her tenure with what she calls a “meat and potatoes rock ‘n roll band&#34;, Trigger Hippy, shows up in “Meat and Potatoes,” a farewell

Joan Osborne

An Evening with Joan Osborne

&#34;Welcome aboard everyone! Grab your cocktails, kick up your dock shoes and set sail with us! We will bring you all the best tunes from the fabulous and fun Yacht Rock genre!  All the best hits from Steely Dan, Michael McDonald, Christopher Cross, Kenny Loggins, Hall &amp; Oates, Toto and many more! – Led by Liz Asaro(Pink Mirror Presents) and musically directed Rocco Dellaneve(Of The Snow Productions), Yacht Pockets is comprised of incredibly talented and seasoned musicians based New York City&#34;

Pink Mirror presents Yacht Pockets

King Yellowman Jamaica&#39;s first dancehall superstar, Yellowman ushered in a new era in reggae music following Bob Marley&#39;s death. His early-&#39;80s success brought the popularity of toasting -- the reggae equivalent of rapping -- to a whole new level, and helped establish dancehall as the wave of the future. For better or for worse, he also epitomized dancehall&#39;s penchant for &#34;slack&#34; lyrics -- that is, casual violence, sexism, homophobia, and general rudeness. Graphic sexuality was his particular forte, reaching levels of explicitness previously unheard in Jamaica. It brought him numerous detractors, but it was also a big reason for his early popularity. There was more to it than that, though; Yellowman was one of the most verbally nimble toasters of his time, with a loose, easy flow, a talent for improvisation, and a definite wit in his wordplay. Plus, all the boasting about his prowess on the mic or in the bedroom had to be over the top to be convincing: true to his stage name, Yellowman is an albino, which carries a tremendous social stigma in Jamaica. His rise to stardom was unlikely enough, but his transformation from untouchable outcast into sex symbol was staggering -- and may not even have taken place without his trademark lewdness. Shocking though it could be, it affirmed him as a sexual being just like his listeners, and was delivered with enough humor to let the audience know that he didn&#39;t take himself too seriously. Bouts with cancer pushed him into more thoughtful, socially conscious territory in the 1990s, but his initial style remains the most influential, paving the way for countless dancehall toasters to follow. He remained quiet through most of the 2000s before mounting a comeback with 2019&#39;s No More War. Yellowman was born Winston Foster in Negril, Jamaica, in 1959 (some accounts say 1956). An early target for abuse because of his albinism, he grew up in an institution in Kingston, with little to keep him company besides music. Influenced by early toasting DJs like U-Roy, he practiced rhyming and got a job with the Gemini Sound System as a substitute DJ. Christening himself Yellowman and dressing in a bright yellow suit, he peppered his lyrics with jokes about his skin color and outlandish tales of his sexual conquests. In 1979, he won a landslide victory at the well-known Tastee Talent Contest, and within months he had become one of Jamaica&#39;s top concert draws, thanks to a dynamic, humorous stage show in which he often used the microphone to mimic his anatomical gifts. Yellowman recorded prolifically in the early &#39;80s, at one point flooding the Jamaican market with more than 40 singles. His first full-length album, Them a Mad Over Me, was recorded for Channel One in 1981 and featured the hit title track and the single &#34;Me Kill Barnie,&#34; an answer record to Lone Ranger&#39;s hit &#34;Barnabas Collins.&#34; He also scored with singles like &#34;Operation Eradication&#34; and the infamously slack &#34;Shorties,&#34; which Peter Tosh condemned as degrading to women (hardly the first time such a criticism would be leveled at him). Despite this success, Yellowman didn&#39;t truly hit his stride on record until he hooked up with groundbreaking dancehall producer Henry &#34;Junjo&#34; Lawes. The 1982 LP Mister Yellowman kicked off their collaboration; released internationally by Greensleeves, it started to break him in the U.K. and U.S., and is still often acclaimed as his best album. It also launched a series of Jamaican hit singles over the next few years that included &#34;Yellowman Getting Married&#34; (a rewrite of the My Fair Lady number &#34;I&#39;m Getting Married in the Morning&#34;), &#34;Mr. Chin,&#34; &#34;Who Can Make the Dance Ram&#34; (a rewrite of &#34;The Candy Man&#34;), &#34;Zungguzungguguzungguzeng&#34; (sampled by several hip-hop acts), &#34;The Good, the Bad, and the Ugly,&#34; &#34;Soldier Take Over,&#34; &#34;Nobody Move Nobody Get Hurt,&#34; and &#34;Wreck a Pum Pum,&#34; among others. Many of his recordings during this era featured vocal contributions from fellow DJ/toaster Fathead, whose specialty was punctuating lines with animal noises (&#34;ribbit&#34; and &#34;oink&#34; were his favorites). After 1983&#39;s Zungguzungguguzungguzeng album, Yellowman signed a major-label deal with CBS Records, which encouraged him to maintain the stylistic versatility of his previous work. However, his lone album for the label, 1984&#39;s King Yellowman, sported mixed results, attempting everything from slack toasts to R&amp;B and pop-tinged crossover tracks, including covers of &#34;Sea Cruise&#34; and &#34;Take Me Home Country Roads,&#34; and the much-maligned fusion attempt &#34;Disco Reggae.&#34; He subsequently released several albums on Shanachie, including 1984&#39;s Nobody Move Nobody Get Hurt, 1985&#39;s Galong Galong Galong, 1986&#39;s Going to the Chapel, and 1987&#39;s Don&#39;t Burn It Down. The latter found him delving more into social consciousness; the title cut was a pro-marijuana protest, while &#34;Stop Beat Woman&#34; condemned domestic violence and &#34;Free Africa&#34; criticized apartheid. Around the same time, he suffered a bout with cancer that required the removal of part of his jaw, leaving him facially disfigured. Always a fighter, he nonetheless returned to action with the hit Fats Domino cover &#34;Blueberry Hill,&#34; and moved to the Ras label to record the well-received Yellow Like Cheese album with producer Philip &#34;Fatis&#34; Burrell. Yellowman&#39;s recording career continued apace, as his sexual boasts and gay jokes kept getting raunchier and nastier. His popularity had slipped after 1985, due in part to less consistent material, and also in part to the emergence of a legion of new dancehall artists, many of whom harked back to his early material for inspiration. Things changed, however, after an early-&#39;90s bout with skin cancer. Greatly shaken after this second life-threatening illness, Yellowman completely rethought his approach to music, and thereafter devoted himself almost exclusively to spiritual and social concerns. 1994&#39;s Prayer album (still on Ras) was the first effort in this new direction, and it was followed quickly by Message to the World in 1995. 1997&#39;s Freedom of Speech continued in a similar vein, after which Yellowman switched over to the Artists Only label. His first effort was 1999&#39;s Yellow Fever, which concentrated on conscious reggae but also featured some good-natured party tracks. Following the 2003 release of New York, Yellowman entered a lengthy recording hiatus, though he continued to perform live. In 2019, 16 years after his last album, he returned with No More War. The LP was the inaugural release on Yellow Baby Records, a label launched by Yellowman&#39;s daughter K&#39;reema, with whom he also collaborates.

Since 1970

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